{"id":58833,"date":"2025-10-10T21:48:54","date_gmt":"2025-10-10T21:48:54","guid":{"rendered":"https:\/\/news.filmelier.com\/?p=58833"},"modified":"2025-10-10T21:48:54","modified_gmt":"2025-10-10T21:48:54","slug":"critica-kika-pelicula","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/","title":{"rendered":"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales"},"content":{"rendered":"<p>A partir de sus minutos iniciales, ser\u00eda tarea casi imposible predecir y acertar el rumbo que toma <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/113381\/kika\" target=\"_blank\" rel=\"noopener\"><i>Kika<\/i><\/a> (B\u00e9lgica y Francia, 2025), primer largometraje de ficci\u00f3n de la cineasta francesa Alexe Poukine, que compiti\u00f3 en la Semana de la Cr\u00edtica en <a href=\"https:\/\/www.filmelier.com\/mx\/festival\/festival-cannes\" target=\"_blank\" rel=\"noopener\">Cannes<\/a> y que ahora forma parte de la selecci\u00f3n del <a href=\"https:\/\/www.filmelier.com\/br\/festival\/rio-festival\" target=\"_blank\" rel=\"noopener\">Festival do Rio<\/a>.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n: <a href=\"https:\/\/news.filmelier.com\/mx\/critica-if-i-had-legs-id-kick-you-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de <em>If I Had Legs I\u2019d Kick You<\/em>: maternidad a la lynchiana<\/a><\/strong><\/li>\n<\/ul>\n<div class=\"video-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/mI8B_Qb8mko\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>Es una pel\u00edcula que, con mano firme de su directora, comienza en un esp\u00edritu rom\u00e1ntico que luego da un giro hacia el realismo social que se acerca, sin tapujos ni juicios, hacia motivaciones y expresiones del trabajo sexual. Es el tipo de producci\u00f3n que, en manos menos sensibles, se inclinar\u00eda m\u00e1s hacia el morbo que hacia la empat\u00eda que se esconde incluso donde no esperamos.<\/p>\n<h2>\u00bfDe qu\u00e9 se trata?<\/h2>\n<p>Un d\u00eda en camino a reparar la bicicleta de su hija, la trabajadora social Kika (Manon Clavel) se queda encerrada en el taller con el due\u00f1o, David (Makita Samba). Aunque ambos est\u00e1n casados, sienten una atracci\u00f3n inmediata que deciden explorar, a pesar de las consecuencias. Eventualmente se divorcian, se casan y planean formar una nueva familia cuando ella queda embarazada.<\/p>\n<p>Sin embargo, su futuro juntos es zanjado de golpe cuando David muere repentinamente. Atrapada entre la muerte de su pareja, su embarazo, y la responsabilidad de mantener a su hija, es incapaz de enfrentar su dolor. Ahogada en deudas, pronto es enfrentada con una posibilidad: que habiendo sido una trabajadora social dedicada a aliviar el sufrimiento de otros, puede ganar dinero haciendo a otros sufrir como dominatriz.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n:\u00a0<a href=\"https:\/\/news.filmelier.com\/mx\/critica-la-voz-de-hind-rajab\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de\u00a0<em>La voz de Hind Rajab<\/em>: documentos para despertar la empat\u00eda<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_58836\" aria-describedby=\"caption-attachment-58836\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-58836\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\" alt=\"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-58836\" class=\"wp-caption-text\"><em>Kika<\/em> narra el camino de la protagonista para descubrir el mundo del BDSM y sus formas de placer (Cr\u00e9dito: Synapse Distribution)<\/figcaption><\/figure>\n<h2><i>Kika<\/i> cuestiona primero: \u00bfqui\u00e9n ayuda a los que ayudan?<\/h2>\n<p>La raz\u00f3n por la que <i>Kika<\/i> funciona a pesar de sus cambios de rumbo, en apariencia tan bruscos, es porque Poukine establece una s\u00f3lida base en un realismo social que provoca simpat\u00eda por los personajes y sus situaciones. La directora tiene cuidado de mostrarnos no s\u00f3lo lo frustrante y burocr\u00e1tico de la asistencia social, sino tambi\u00e9n lo precario que puede ser para las trabajadoras, que no logran sacar las cuentas con un salario.<\/p>\n<p>H\u00e1bilmente, la directora incluso presenta la situaci\u00f3n primero como un ideal fr\u00e1gil pero sostenible: Kika puede subsistir de ello mientras est\u00e1 casada, y su amor\u00edo inicial puede traerle costosas consecuencias. Su romance con David es tratado por la edici\u00f3n como un torbellino: el montaje condensa lo que podr\u00edan ser meses en un pu\u00f1ado de escenas, e incluso hay un alivio al ver que las cosas salieron bien. Hasta que dejan de estarlo.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n:\u00a0<a href=\"https:\/\/news.filmelier.com\/mx\/critica-rebuilding-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de\u00a0<em>Rebuilding<\/em>, con Josh O\u2019Connor: la esperanza en la comunidad<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_58840\" aria-describedby=\"caption-attachment-58840\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-58840\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-pelicula.webp\" alt=\"Escena de la pel\u00edcula Kika\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-pelicula.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-pelicula-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-pelicula-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-pelicula-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-58840\" class=\"wp-caption-text\">La pel\u00edcula se toma el tiempo en desarrollar la vida familiar de Kika y sus fr\u00e1giles circunstancias (Cr\u00e9dito: Synapse Distribution)<\/figcaption><\/figure>\n<p>Las secuencias tempranas de la pel\u00edcula tambi\u00e9n sugieren el c\u00f3digo moral y psicolog\u00eda de la protagonista, una mujer preparada para ir m\u00e1s lejos por quienes requieren asistencia social. Pero ella misma intenta cargar con el peso del mundo cuando pierde a su esposo, encontrando un camino inesperado hacia la compasi\u00f3n por s\u00ed misma.<\/p>\n<h2><i>Kika<\/i> aborda el BDSM desde la empat\u00eda<\/h2>\n<p>A partir de una idea que escucha en el trabajo, la protagonista se sumerge t\u00edmidamente en el mundo del trabajo sexual. Lo que comienza como un medio de sustento es la entrada a la madriguera del conejo hacia el mundo del BDSM. Sus clientes demandan desde pr\u00e1cticas tan &#8220;sencillas&#8221; como la humillaci\u00f3n verbal, hasta azotes, pr\u00e1cticas escatol\u00f3gicas y fetiches infantilizantes.<\/p>\n<p>Son situaciones en apariencia contradictorias para alguien que tiene la compasi\u00f3n, la amabilidad y la dignidad por principios, pero Poukine y su coguionista, Thomas Van Zuylen, encuentran tanto humor como verdad en esos choques. Y sin ser nunca excesivamente expl\u00edcita, la directora logra confrontarnos con estos encuentros con empat\u00eda y curiosidad para romper la barrera de la incomodidad y el prejuicio.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n:\u00a0<a href=\"https:\/\/news.filmelier.com\/mx\/critica-lesbian-space-princess-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica:\u00a0<em>Lesbian Space Princess<\/em>, una disparatada comedia animada\u00a0<em>queer<\/em><\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_58837\" aria-describedby=\"caption-attachment-58837\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-58837\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-alexe-poukine.webp\" alt=\"Escena de la pel\u00edcula Kika\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-alexe-poukine.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-alexe-poukine-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-alexe-poukine-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/kika-alexe-poukine-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-58837\" class=\"wp-caption-text\">La directora Alexe Poukine se acerca al mundo del trabajo sexual desde la empat\u00eda, sin caer en el morbo (Cr\u00e9dito: Synapse Distribution)<\/figcaption><\/figure>\n<p>Kika descubre, como nosotros al otro lado de la pantalla, que existen tantos fetiches como almas que buscan placer, liberaci\u00f3n o descanso, m\u00e1s all\u00e1 de las frases de galleta de la fortuna sobre la vida y el sufrimiento que enuncian ciertos personajes en la trama. &#8220;Es menos estresante ser dominatriz que trabajadora social&#8221;, dice ella en alg\u00fan punto. Quiz\u00e1 porque algunos necesitan golpearse primero para poder romperse y, as\u00ed, poder reconstruirse.<\/p>\n<p><a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/113381\/kika\"><b><i>Kika<\/i><\/b> <b>se estrena pr\u00f3ximamente, ahora forma parte de la selecci\u00f3n oficial del Festival do Rio.<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.<\/p>\n","protected":false},"author":20,"featured_media":58834,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5933,5931],"tags":[10174,10175,9158,10173],"class_list":["post-58833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-mx","category-peliculas-mx","tag-alexe-poukine","tag-cine-frances-mx","tag-festival-do-rio","tag-kika"],"acf":{"subtitulo":"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.","id_ator":"nm7074600, nm13712319, nm4875522"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier<\/title>\n<meta name=\"description\" content=\"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier\" \/>\n<meta property=\"og:description\" content=\"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\" \/>\n<meta property=\"og:site_name\" content=\"News Filmelier\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-10T21:48:54+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/homolog.news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"450\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Lalo Ortega\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lalo Ortega\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\"},\"author\":{\"name\":\"Lalo Ortega\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/bc393b46ea1d056e9889f90b246255ee\"},\"headline\":\"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales\",\"datePublished\":\"2025-10-10T21:48:54+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\"},\"wordCount\":888,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#organization\"},\"image\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\",\"keywords\":[\"Alexe Poukine\",\"cine franc\u00e9s\",\"festival do rio\",\"Kika\"],\"articleSection\":[\"Cr\u00edtica\",\"Pel\u00edculas\"],\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\",\"url\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\",\"name\":\"Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier\",\"isPartOf\":{\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\",\"datePublished\":\"2025-10-10T21:48:54+00:00\",\"description\":\"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.\",\"breadcrumb\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#breadcrumb\"},\"inLanguage\":\"es\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage\",\"url\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\",\"contentUrl\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp\",\"width\":800,\"height\":450,\"caption\":\"(Cr\u00e9dito: Synapse Distribution)\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"In\u00edcio\",\"item\":\"https:\/\/homolog.news.filmelier.com\/mx\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#website\",\"url\":\"https:\/\/homolog.news.filmelier.com\/mx\/\",\"name\":\"Homolog Filmelier News Rankrup\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/homolog.news.filmelier.com\/mx\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"es\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#organization\",\"name\":\"Homolog Filmelier News Rankrup\",\"url\":\"https:\/\/homolog.news.filmelier.com\/mx\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/11\/Logo-News.png\",\"contentUrl\":\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/11\/Logo-News.png\",\"width\":460,\"height\":108,\"caption\":\"Homolog Filmelier News Rankrup\"},\"image\":{\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/bc393b46ea1d056e9889f90b246255ee\",\"name\":\"Lalo Ortega\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"es\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/f3157eaf8168f3d46d009a8fc239950bcf17063f8b0138c7c844307471672d86?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/f3157eaf8168f3d46d009a8fc239950bcf17063f8b0138c7c844307471672d86?s=96&d=mm&r=g\",\"caption\":\"Lalo Ortega\"},\"description\":\"Lalo Ortega is a Mexican film critic. He has written for publications such as EMPIRE en espa\u00f1ol, Cine PREMIERE, La Estatuilla and more. He is currently the editor-in-chief of Filmelier.\",\"url\":\"https:\/\/news.filmelier.com\/mx\/author\/lalo\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier","description":"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/","og_locale":"es_MX","og_type":"article","og_title":"Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier","og_description":"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.","og_url":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/","og_site_name":"News Filmelier","article_published_time":"2025-10-10T21:48:54+00:00","og_image":[{"width":800,"height":450,"url":"https:\/\/homolog.news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp","type":"image\/webp"}],"author":"Lalo Ortega","twitter_card":"summary_large_image","twitter_misc":{"Escrito por":"Lalo Ortega","Tiempo de lectura":"5 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#article","isPartOf":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/"},"author":{"name":"Lalo Ortega","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/bc393b46ea1d056e9889f90b246255ee"},"headline":"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales","datePublished":"2025-10-10T21:48:54+00:00","mainEntityOfPage":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/"},"wordCount":888,"commentCount":0,"publisher":{"@id":"https:\/\/homolog.news.filmelier.com\/mx\/#organization"},"image":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage"},"thumbnailUrl":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp","keywords":["Alexe Poukine","cine franc\u00e9s","festival do rio","Kika"],"articleSection":["Cr\u00edtica","Pel\u00edculas"],"inLanguage":"es","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/","url":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/","name":"Cr\u00edtica: \u2018Kika\u2019, de Alexe Poukine (Festival do Rio) - Filmelier","isPartOf":{"@id":"https:\/\/homolog.news.filmelier.com\/mx\/#website"},"primaryImageOfPage":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage"},"image":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage"},"thumbnailUrl":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp","datePublished":"2025-10-10T21:48:54+00:00","description":"En \u2018Kika\u2019, la directora Alexe Poukine se acerca al trabajo sexual desde la curiosidad y empat\u00eda. Checa la cr\u00edtica desde el Festival do Rio.","breadcrumb":{"@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#primaryimage","url":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp","contentUrl":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/10\/critica-kika-pelicula.webp","width":800,"height":450,"caption":"(Cr\u00e9dito: Synapse Distribution)"},{"@type":"BreadcrumbList","@id":"https:\/\/news.filmelier.com\/mx\/critica-kika-pelicula\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"In\u00edcio","item":"https:\/\/homolog.news.filmelier.com\/mx\/"},{"@type":"ListItem","position":2,"name":"Cr\u00edtica: \u2018Kika\u2019 brinda una mirada emp\u00e1tica a la diversidad de expresiones sexuales"}]},{"@type":"WebSite","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#website","url":"https:\/\/homolog.news.filmelier.com\/mx\/","name":"Homolog Filmelier News Rankrup","description":"","publisher":{"@id":"https:\/\/homolog.news.filmelier.com\/mx\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/homolog.news.filmelier.com\/mx\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#organization","name":"Homolog Filmelier News Rankrup","url":"https:\/\/homolog.news.filmelier.com\/mx\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/logo\/image\/","url":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/11\/Logo-News.png","contentUrl":"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/11\/Logo-News.png","width":460,"height":108,"caption":"Homolog Filmelier News Rankrup"},"image":{"@id":"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/bc393b46ea1d056e9889f90b246255ee","name":"Lalo Ortega","image":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/image\/","url":"https:\/\/secure.gravatar.com\/avatar\/f3157eaf8168f3d46d009a8fc239950bcf17063f8b0138c7c844307471672d86?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/f3157eaf8168f3d46d009a8fc239950bcf17063f8b0138c7c844307471672d86?s=96&d=mm&r=g","caption":"Lalo Ortega"},"description":"Lalo Ortega is a Mexican film critic. He has written for publications such as EMPIRE en espa\u00f1ol, Cine PREMIERE, La Estatuilla and more. He is currently the editor-in-chief of Filmelier.","url":"https:\/\/news.filmelier.com\/mx\/author\/lalo\/"}]}},"_links":{"self":[{"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/posts\/58833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/comments?post=58833"}],"version-history":[{"count":2,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/posts\/58833\/revisions"}],"predecessor-version":[{"id":59107,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/posts\/58833\/revisions\/59107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/media\/58834"}],"wp:attachment":[{"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/media?parent=58833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/categories?post=58833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/news.filmelier.com\/mx\/wp-json\/wp\/v2\/tags?post=58833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}