{"id":57285,"date":"2025-09-01T20:29:31","date_gmt":"2025-09-01T20:29:31","guid":{"rendered":"https:\/\/news.filmelier.com\/?p=57285"},"modified":"2025-09-01T22:35:26","modified_gmt":"2025-09-01T22:35:26","slug":"critica-amores-compartidos-splitsville-pelicula","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/critica-amores-compartidos-splitsville-pelicula\/","title":{"rendered":"Cr\u00edtica de \u2018Amores compartidos\u2019 (\u2018Splitsville\u2019): el arte de (poli)amar"},"content":{"rendered":"<p>\u201cNunca sabes el valor de algo hasta que lo hundes\u201d, dice cierto personaje de <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/113632\/amores-compartidos\" target=\"_blank\" rel=\"noopener\"><i>Amores compartidos<\/i><\/a> (<i>Splitsville<\/i>, Estados Unidos, 2025), en referencia a una lancha que est\u00e1 a punto de vandalizar. Un gui\u00f1o poco velado para amarrar la enredada trama de divorcios, romances, sexo y pu\u00f1etazos que ha transcurrido hasta ese punto entre sus cuatro protagonistas: Kyle Marvin (tambi\u00e9n guionista), Michael Angelo Covino (que tambi\u00e9n dirige), Dakota Johnson y Adria Arjona.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n:\u00a0<a href=\"https:\/\/news.filmelier.com\/mx\/critica-armand-una-acusacion-peligrosa-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de\u00a0<em>Armand: Una acusaci\u00f3n peligrosa<\/em>: dimes y diretes<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"AMORES COMPARTIDOS | TRAILER OFICIAL\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/LIC8IcaL_JU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Marvin y Covino, tambi\u00e9n responsables por la tem\u00e1ticamente similar <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/13284\/lazos-profundos\" target=\"_blank\" rel=\"noopener\"><i>Lazos profundos<\/i><\/a> (<i>The Climb<\/i>, EUA, 2019) tejen una de las exploraciones m\u00e1s divertidas sobre las complejidades emocionales y sexuales del deseo y del amor rom\u00e1ntico en el matrimonio. Por mucho, la mejor de las dos que se han estrenado <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/80127\/amores-materialistas\" target=\"_blank\" rel=\"noopener\">este a\u00f1o con Dakota Johnson<\/a>, y la m\u00e1s interesante desde que <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/25756\/complices-del-engano\" target=\"_blank\" rel=\"noopener\">Adria Arjona hizo la suya<\/a> con Richard Linklater.<\/p>\n<h2>\u00bfDe qu\u00e9 se trata?<\/h2>\n<p>Cuando luego de una experiencia transformadora, Ashley (Adria Arjona) le pide repentinamente el divorcio a Carey (Kyle Marvin), \u00e9l reacciona de la peor manera y corre a refugiarse con su mejor amigo, Paul (Michael Angelo Covino) y su esposa, Julie (Dakota Johnson), que tienen una bella mansi\u00f3n con vista al lago.<\/p>\n<p>Cuando Carey les pregunta c\u00f3mo han hecho funcionar su matrimonio, ellos le revelan que mantienen una relaci\u00f3n abierta en lo sexual. Sin embargo, cuando esto conduce a que Carey y Julie tengan un encuentro sexual, se abren brechas tanto en el matrimonio como en la amistad entre el par de hombres, que desatan el caos en sus vidas.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n: <a href=\"https:\/\/news.filmelier.com\/mx\/critica-los-roses-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de <em>Los Roses<\/em>: Olivia Colman y Benedict Cumberbatch brillan como un matrimonio en crisis<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_57286\" aria-describedby=\"caption-attachment-57286\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-57286\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/critica-amores-compartidos-splitsville-pelicula.webp\" alt=\"Cr\u00edtica de \u2018Amores compartidos\u2019 (\u2018Splitsville\u2019): el arte de (poli)amar\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/critica-amores-compartidos-splitsville-pelicula.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/critica-amores-compartidos-splitsville-pelicula-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/critica-amores-compartidos-splitsville-pelicula-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/critica-amores-compartidos-splitsville-pelicula-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-57286\" class=\"wp-caption-text\">El cuarteto central de <em>Amores compartidos<\/em> (Cr\u00e9dito: Diamond Films)<\/figcaption><\/figure>\n<h2><i>Amores compartidos<\/i> (<i>Splitsville<\/i>), para hacer llorar a Erich Fromm<\/h2>\n<p>Como comedia rom\u00e1ntica, cabe decir que <i>Amores compartidos<\/i> no teme en llevar las cosas hasta extremos absurdos. Los enredos pueden volverse tan rid\u00edculos como caricaturesca puede llegar a ser la comedia f\u00edsica. Cada uno de los cuatro protagonistas hace un despliegue de <i>timing<\/i> c\u00f3mico perfecto, que adereza los di\u00e1logos m\u00e1s punzantes e ingeniosos que ver\u00e1s en una pel\u00edcula del tipo en mucho tiempo.<\/p>\n<p>En ese sentido, resulta una pel\u00edcula extremadamente divertida por su imprevisibilidad: cuando parece que las cosas han llegado a un punto de quiebre, sucede algo todav\u00eda m\u00e1s absurdo. Incluso si esto puede llegar a volverse abrumador y estirar la suspensi\u00f3n de la incredulidad hasta sus l\u00edmites, desde un punto de vista de mero entretenimiento, es una de las comedias del a\u00f1o.<\/p>\n<ul>\n<li><strong>Te puede interesar: <a href=\"https:\/\/news.filmelier.com\/mx\/critica-la-chica-artificial-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica de <em>La chica artificial<\/em>: \u00bfsue\u00f1a la IA con humanos el\u00e9ctricos?<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_57292\" aria-describedby=\"caption-attachment-57292\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-57292\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/splitsville.webp\" alt=\"Kyle Marvin y Adria Arjona en una escena de la pel\u00edcula 'Amores compartidos' ('Splitsville')\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/splitsville.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/splitsville-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/splitsville-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/splitsville-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-57292\" class=\"wp-caption-text\">El rompimiento de Ashley (Arjona) y Carey (Marvin) desencadenan la trama (Cr\u00e9dito: Diamond Films)<\/figcaption><\/figure>\n<p>Ayuda que Corvino y Marvin, coguionistas, no abordan a sus personajes desde una postura moralina respecto a su situaci\u00f3n rom\u00e1ntica. Sin embargo, s\u00ed que los cuestionan desde la comedia, y nos presentan las carencias emocionales de cada uno de ellos: lo que hace f\u00e1cil identificarse con estos personajes es ver lo imperfectos que son, lo rotos y vac\u00edos que pueden llegar a estar.<\/p>\n<p><i>Amores compartidos<\/i> como un todo tampoco es mojigata con el poliamor, las relaciones abiertas, poligamia o como quiera etiquet\u00e1rsele. No obstante, en la manera en que sus personajes se desenvuelven, revela sus complejidades y desaf\u00edos pr\u00e1cticos. Ya es lo suficientemente complicado involucrarse sentimental o sexualmente con una persona y realizar el trabajo diario de amarla.<\/p>\n<p>La pel\u00edcula sugiere, al menos, que la viabilidad y \u00e9xito de los v\u00ednculos poliamorosos va mucho m\u00e1s all\u00e1 del acuerdo y el consentimiento mutuo, sobre todo en un mundo donde la siguiente posibilidad de una relaci\u00f3n est\u00e1, cual cat\u00e1logo bajo demanda, a un <i>swipe<\/i> de distancia. Aunque Covino y Marvin nunca lo condenan\u2014buscan divertir, a fin de cuentas\u2014, s\u00ed queda sugerida una cualidad utilitaria en la forma de los personajes para relacionarse y llenar sus propios huecos de autoestima, aceptaci\u00f3n, ego, placer y dem\u00e1s carencias.<\/p>\n<ul>\n<li><strong>Lee tambi\u00e9n:\u00a0<a href=\"https:\/\/news.filmelier.com\/mx\/critica-la-vida-de-chuck-pelicula\/\" target=\"_blank\" rel=\"noopener\">Cr\u00edtica:\u00a0<em>La vida de Chuck<\/em>, entre la esperanza y la ansiedad existencial<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_57289\" aria-describedby=\"caption-attachment-57289\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"size-full wp-image-57289\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/dakota-johnson-splitsville.webp\" alt=\"Dakota Johnson en una escena de la pel\u00edcula 'Amores compartidos' ('Splitsville')\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/dakota-johnson-splitsville.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/dakota-johnson-splitsville-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/dakota-johnson-splitsville-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/09\/dakota-johnson-splitsville-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-57289\" class=\"wp-caption-text\">Dakota Johnson luce sus dotes c\u00f3micas en\u00a0<em>Amores compartidos<\/em> (Cr\u00e9dito: Diamond Films)<\/figcaption><\/figure>\n<p>S\u00ed queda una postura no tan ambigua al respecto hacia el desenlace, pero el director y el guionista se mantienen compasivos con su cuarteto principal. Al final, todo se reduce a que el deseo y la b\u00fasqueda del amor nos convierten en seres tan pat\u00e9ticos y contradictorios como entra\u00f1ables.<\/p>\n<p><a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/113632\/amores-compartidos\" target=\"_blank\" rel=\"noopener\"><b><i>Amores compartidos<\/i><\/b> <b>(<i>Splitsville<\/i>) se estrena en cines de M\u00e9xico el 4 de septiembre.<\/b><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Amores compartidos\u2019 (\u2018Splitsville\u2019) explora las complejidades del amor, el deseo, y las posibilidades reales de la poligamia.<\/p>\n","protected":false},"author":20,"featured_media":57286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5933,5931],"tags":[6657,8929,7697,5947,6213,8927,8930,8928],"class_list":["post-57285","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-mx","category-peliculas-mx","tag-adria-arjona","tag-amores-compartidos","tag-comedia-romantica","tag-critica","tag-dakota-johnson","tag-kyle-marvin","tag-michael-angelo-covino","tag-splitsville"],"acf":{"subtitulo":"\u2018Amores compartidos\u2019 (\u2018Splitsville\u2019) explora las complejidades del amor, el deseo, y las posibilidades reales de la poligamia.","id_ator":"nm0424848, nm3511834, nm5568803, nm5245722"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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