{"id":56898,"date":"2025-08-25T10:00:14","date_gmt":"2025-08-25T10:00:14","guid":{"rendered":"https:\/\/news.filmelier.com\/?p=56898"},"modified":"2025-08-22T14:06:22","modified_gmt":"2025-08-22T14:06:22","slug":"critica-atrapado-robando-darren-aronofsky","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/critica-atrapado-robando-darren-aronofsky\/","title":{"rendered":"Cr\u00edtica: En &#8216;Atrapado robando&#8217;, Darren Aronofsky intenta distanciarse de su reputaci\u00f3n de bicho raro"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Cuando pensamos en el cine de <\/span><a href=\"https:\/\/www.filmelier.com\/mx\/director\/darren-aronofsky\"><span style=\"font-weight: 400;\">Darren Aronofsky<\/span><\/a><span style=\"font-weight: 400;\">, \u00bfqu\u00e9 viene a la mente? T\u00edtulos como <\/span><i><span style=\"font-weight: 400;\">R\u00e9quiem por un sue\u00f1o<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">\u00a1Madre!<\/span><\/i><span style=\"font-weight: 400;\"> y <\/span><i><span style=\"font-weight: 400;\">La ballena<\/span><\/i><span style=\"font-weight: 400;\"> siempre traen una sensaci\u00f3n de incomodidad \u2014te gusten o no\u2014 a partir de personajes perturbados en escenarios extra\u00f1os, a veces bizarros. Por eso resulta tan raro y curioso encontrarse con una pel\u00edcula como <\/span><b><i>Atrapado robando<\/i><\/b><span style=\"font-weight: 400;\">, el nuevo trabajo de Aronofsky que llega a los cines este jueves 28.<\/span><\/p>\n<figure id=\"attachment_56892\" aria-describedby=\"caption-attachment-56892\" style=\"width: 675px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-56892\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/08\/ladroes-300x169.webp\" alt=\"'Atrapado robando' habla de personajes envueltos en una trama que no entienden (Cr\u00e9dito: Sony Pictures)\" width=\"675\" height=\"380\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/08\/ladroes-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/08\/ladroes-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/08\/ladroes-150x84.webp 150w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/08\/ladroes.webp 800w\" sizes=\"(max-width: 675px) 100vw, 675px\" \/><figcaption id=\"caption-attachment-56892\" class=\"wp-caption-text\"><em>&#8216;Atrapado robando&#8217; habla de personajes envueltos en una trama que no entienden (Cr\u00e9dito: Sony Pictures)<\/em><\/figcaption><\/figure>\n<h2>\u00bfDe qu\u00e9 trata <i>Atrapado robando<\/i>?<\/h2>\n<p><span style=\"font-weight: 400;\">La trama, que parece un collage de ideas sacadas de Guy Ritchie y de los hermanos Coen, habla de Hank (Austin Butler). \u00c9l es un exjugador de b\u00e9isbol, promesa del deporte, que vive en un cuartucho estrecho. Su vida cambia, sin darse cuenta, cuando el vecino punk (Matt Smith) se va de viaje y deja al gato bajo el cuidado de Hank. Ese simple acto desencadena una ola de violencia, ya que el protagonista es confundido y visto como aliado del vecino, quien debe dinero a mafiosos ucranianos y hasta a dos violentos hermanos jud\u00edos.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A partir de ah\u00ed, Aronofsky \u2014en la pel\u00edcula \u201cmenos Aronofsky\u201d de su carrera\u2014 hace una comedia de enredos genuinamente graciosa, aunque sin personalidad, sobre estos personajes yendo y viniendo en una ola de violencia. Hank parece no tener tregua. Todo a su alrededor empieza a desmoronarse. Y \u00e9l no tiene absolutamente nada que ver con eso ni siquiera entiende lo que pasa. Violencia y humor se entrelazan, sin que uno avance sobre el otro.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Esto significa, en l\u00edneas generales, que <\/span><b><i>Atrapado robando<\/i><\/b><span style=\"font-weight: 400;\"> es una pel\u00edcula con lado A y lado B. Hay humor situacional, t\u00edpico de los <\/span><a href=\"https:\/\/www.filmelier.com\/mx\/director\/ethan-coen-joel-coen\"><span style=\"font-weight: 400;\">hermanos Coen<\/span><\/a><span style=\"font-weight: 400;\">, y tambi\u00e9n un cine muy urbano, de personajes al margen, con el estilo de <\/span><a href=\"https:\/\/www.filmelier.com\/mx\/director\/guy-ritchie\"><span style=\"font-weight: 400;\">Guy Ritchie<\/span><\/a><span style=\"font-weight: 400;\">, intentando sobrevivir en la selva de concreto que es Nueva York en alg\u00fan a\u00f1o del siglo pasado. Dos elementos que funcionan, aunque en desarmon\u00eda, aqu\u00ed y all\u00e1, y que producen un resultado satisfactorio en la pantalla del cine.<\/span><\/p>\n<p><iframe title=\"Ladr\u00f5es | Trailer Legendado\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/i0CiMVw1BPM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2>\u00bfD\u00f3nde est\u00e1 Darren Aronofsky?<\/h2>\n<p><span style=\"font-weight: 400;\">La gran cuesti\u00f3n en torno a <\/span><i><span style=\"font-weight: 400;\">Atrapado robando<\/span><\/i><span style=\"font-weight: 400;\">, que tambi\u00e9n cuenta con un buen elenco liderado por Butler (<\/span><i><span style=\"font-weight: 400;\">Duna: Parte II<\/span><\/i><span style=\"font-weight: 400;\">) y con buenos actores de reparto como Zo\u00eb Kravitz, Vincent D&#8217;Onofrio y Matt Smith, es la falta de personalidad de la producci\u00f3n. Aronofsky, desde <\/span><i><span style=\"font-weight: 400;\">Pi<\/span><\/i><span style=\"font-weight: 400;\">, construy\u00f3 una especie de persona alrededor de su nombre y de su cine. Es extra\u00f1o, provocador, un tanto bizarro \u2014y ciertamente pol\u00e9mico, con gente amando odiar todo lo que hace.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Es obvio que un cineasta puede probar l\u00edmites, lenguajes y g\u00e9neros. Vaya, mira la carrera de <\/span><span style=\"font-weight: 400;\">Kubrick<\/span><span style=\"font-weight: 400;\">, de <\/span><span style=\"font-weight: 400;\">Steven Spielberg<\/span><span style=\"font-weight: 400;\">, de <\/span><span style=\"font-weight: 400;\">Martin Scorsese<\/span><span style=\"font-weight: 400;\">, de <\/span><span style=\"font-weight: 400;\">Alfonso Cuar\u00f3n<\/span><span style=\"font-weight: 400;\">. Son cineastas que nunca se conformaron con ser una sola cosa \u2014fueron todo lo que quisieron y m\u00e1s. Hicieron dramas, ciencia ficci\u00f3n, comedia. Aronofsky, aunque se quede un poco lejos de esos citados, tiene derecho de intentar ir m\u00e1s all\u00e1. El problema es la pasteurizaci\u00f3n del riesgo.<\/span><\/p>\n<h2>Diferentes miradas<\/h2>\n<p><span style=\"font-weight: 400;\">Cuando Kubrick dirig\u00eda comedia, se percib\u00eda su mano y personalidad. Se sent\u00eda que era la misma mente brillante detr\u00e1s de <\/span><i><span style=\"font-weight: 400;\">2001<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">El resplandor<\/span><\/i><span style=\"font-weight: 400;\"> y <\/span><i><span style=\"font-weight: 400;\">Dr. Ins\u00f3lito<\/span><\/i><span style=\"font-weight: 400;\">. Exist\u00edan ideas y conceptos que dialogaban. Esta pel\u00edcula de Darren Aronofsky, por m\u00e1s eficaz que sea en sus objetivos, parece un trabajo ap\u00e1tico del cineasta. Es como si fuera solo para cumplir objetivos de productores. No se ve la firma del director. Es un problema que solo crece en el cine, cada vez m\u00e1s detr\u00e1s de f\u00f3rmulas gen\u00e9ricas para streaming.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Aronofsky pr\u00e1cticamente se esconde en <\/span><i><span style=\"font-weight: 400;\">Atrapado robando. <\/span><\/i><span style=\"font-weight: 400;\">Entrega<\/span><span style=\"font-weight: 400;\"> una pel\u00edcula graciosa, bien actuada, con buenos momentos de tensi\u00f3n, pero que nunca llega m\u00e1s all\u00e1 justamente por la falta de querer <\/span><i><span style=\"font-weight: 400;\">hacer cine<\/span><\/i><span style=\"font-weight: 400;\">. Es un producto interesado en cumplir f\u00f3rmulas y dem\u00e1s. Y ya que hablamos de Aronofsky, eso no podr\u00eda ser peor. El cine necesita ser confrontaci\u00f3n, necesita tener ideas. Cuando todo eso se desvanece, es hora de preguntar cu\u00e1l es el camino.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Atrapado robando&#8217; parece m\u00e1s bien el intento de un cineasta novato de imitar los gestos y las ideas de los hermanos Coen y Guy Ritchie<\/p>\n","protected":false},"author":21,"featured_media":56894,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5933,5931],"tags":[6389,8839,8844,6868,8845],"class_list":["post-56898","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-mx","category-peliculas-mx","tag-austin-butler","tag-austin-butler-br-2","tag-caught-stealing-mx","tag-darren-aronofsky","tag-ladroes-mx"],"acf":{"subtitulo":"'Atrapado robando' parece m\u00e1s bien el intento de un cineasta novato de imitar los gestos y las ideas de los hermanos Coen y Guy Ritchie","id_ator":"2581521"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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