{"id":56639,"date":"2024-05-14T20:08:58","date_gmt":"2024-05-14T23:08:58","guid":{"rendered":"https:\/\/news.filmelier.com\/critica-the-second-act-cannes-2024\/"},"modified":"2025-08-19T15:35:05","modified_gmt":"2025-08-19T18:35:05","slug":"the-second-act-cannes-2024","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/the-second-act-cannes-2024\/","title":{"rendered":"Pel\u00edcula inaugural de Cannes, \u2018The Second Act\u2019 busca hacer gracia con la IA y la cultura de la cancelaci\u00f3n"},"content":{"rendered":"\r\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><\/figure>\r\n<p>Florence (<a href=\"https:\/\/www.filmelier.com\/mx\/list\/peliculas-de-lea-seydoux-ver-online\">L\u00e9a Seydoux<\/a>) es hermosa y est\u00e1 enamorada, pero a David (Louis Garrel) no le interesa y trata de encajarla con su amigo Willy (Rapha\u00ebl Quenard). Mientras tanto, ella prepara todo para presentar a su amado con su padre, Guillaume (Vincent Lindon). Si la sinopsis de <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/25499\/el-segundo-acto\"><strong>The Second Act<\/strong><\/a> (Le Deuxi\u00e8me Acte) de <a href=\"https:\/\/www.filmelier.com\/mx\/director\/quentin-dupieux\">Quentin Dupieux<\/a>, que inaugur\u00f3 el 77\u00ba Festival de Cannes la noche de este martes 14, fuera de competencia, les parece tonta, es porque lo es. A prop\u00f3sito.<\/p>\r\n\r\n\r\n\r\n<p><iframe title=\"The Second Act \/ Le Deuxi\u00e8me acte (2024) - Trailer (English Subs)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/s8lLhVBMBoc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\r\n<p>En esta comedia, Dupieux, director de <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/10517\/deerskin-matador-style\"><em>Deerskin: Matador Style<\/em><\/a>\u00a0(2020) y <em><a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/25022\/yannick\" target=\"_blank\" rel=\"noreferrer noopener\">Yannick<\/a><\/em> (2023), usa la metaling\u00fc\u00edstica para burlarse de los posibles efectos de la inteligencia artificial en el cine, el ego de los actores, las peticiones por mayor inclusi\u00f3n y representatividad y el miedo a la cultura de la cancelaci\u00f3n. Es curioso que se exhiba justo cuando corren rumores de que nuevas denuncias de acoso sexual y laboral contra actores y cineastas franceses podr\u00edan salir a la luz durante el <a href=\"https:\/\/www.filmelier.com\/mx\/festival\/festival-cannes\">Festival de Cannes<\/a>, ya que Francia atraviesa por un movimiento #MeToo tard\u00edo.<\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><strong>Lee tambi\u00e9n: <a href=\"https:\/\/news.filmelier.com\/mx\/eddington-sirat-cannes-2025\/\">\u2018Eddington\u2019 y \u2018Sir\u00e2t\u2019 muestran mundos en colapso con ayuda del g\u00e9nero (Cannes 2025)<\/a><\/strong><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n<figure id=\"attachment_44526\" aria-describedby=\"caption-attachment-44526\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-44526\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte.webp\" alt=\"P\u00f3ster oficial de The Second Act\" width=\"360\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte.webp 640w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte-240x300.webp 240w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte-150x188.webp 150w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-44526\" class=\"wp-caption-text\">P\u00f3ster oficial de The Second Act (Cr\u00e9dito: Arte France Cin\u00e9ma \/ Festival de Cannes)<\/figcaption><\/figure>\r\n<figure class=\"wp-block-image size-full is-resized\"><\/figure>\r\n\r\n\r\n\r\n<p>Pero en <em>The Second Act<\/em>, Dupieux no est\u00e1 interesado en afirmaciones ni certezas. Quiere intentar hacer gracia. A pesar de uno que otro buen chiste y de los actores talentosos que tiene a la mano, el director rara vez lo consigue, alargando demasiado ciertas bromas.<\/p>\r\n\r\n\r\n\r\n<p><em>The Second Act<\/em> es la segunda comedia francesa sobre una pel\u00edcula dentro de la pel\u00edcula en inaugurar el Festival de Cannes en un lapso de tres a\u00f1os. En 2022, <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/19063\/final-cut\"><em>Final Cut<\/em><\/a> (<em>Coupez!<\/em>), sobre el rodaje de una producci\u00f3n de zombis dirigida por Michel Hazanavicius (<em><a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/5325\/el-artista\" target=\"_blank\" rel=\"noreferrer noopener\">The Artist<\/a><\/em>), inaugur\u00f3 el evento.<\/p>\r\n\r\n\r\n\r\n<p>Tal vez ya es hora de variar un poco.<\/p>\r\n\r\n\r\n\r\n<p><em>Por Mariane Morisawa, desde Cannes<\/em><\/p>\r\n<ul>\r\n<li><strong><strong>Lee m\u00e1s: <a href=\"https:\/\/www.filmelier.com\/mx\/list\/peliculas-de-lea-seydoux-ver-online\">Pel\u00edculas de L\u00e9a Seydoux para ver online<\/a><\/strong><\/strong><\/li>\r\n<\/ul>\r\n<h2>Adem\u00e1s de <em>The Second Act<\/em>, checa nuestra cobertura completa del Festival de Cannes 2024:<\/h2>\r\n<ul>\r\n<li><strong><a href=\"https:\/\/news.filmelier.com\/mx\/critica-wild-diamond-cannes-2024\/\">Cr\u00edtica de \u2018Wild Diamond\u2019: Adolescente usa su belleza como arma en pel\u00edcula de Cannes 2024<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/news.filmelier.com\/mx\/anora-cannes-2024-palma-de-oro\/\">\u2018Anora\u2019, ganadora de la Palma de Oro en Cannes: un retrato humano y casi perfecto de una stripper<\/a><\/strong><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n\r\n","protected":false},"excerpt":{"rendered":"<p>L\u00e9a Seydoux, Louis Garrel y Vincent Lindon en una escena de &#8216;The Second Act&#8217;, presentada en Cannes 2024 por Quentin Dupieux.<\/p>\n","protected":false},"author":28,"featured_media":56641,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5933,5931],"tags":[8598,6455,8647,8646],"class_list":["post-56639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-mx","category-peliculas-mx","tag-festival-de-cannes-2024","tag-lea-seydoux","tag-quentin-dupieux-mx","tag-the-second-act-mx"],"acf":{"subtitulo":"Con L\u00e9a Seydoux, Louis Garrel y Vincent Lindon, el director franc\u00e9s Quentin Dupieux present\u00f3 'The Second Act' en Cannes 2024.","id_ator":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Second Act en Cannes: Comedia sobre IA y Cancelaci\u00f3n | Cr\u00edtica 2024<\/title>\n<meta name=\"description\" content=\"Cr\u00edtica de The Second Act, la pel\u00edcula de apertura de Cannes 2024. Quentin Dupieux dirige a L\u00e9a Seydoux en una s\u00e1tira sobre IA, ego actoral y miedo al cancelamiento.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.filmelier.com\/mx\/the-second-act-cannes-2024\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Second Act en Cannes: Comedia sobre IA y Cancelaci\u00f3n | Cr\u00edtica 2024\" \/>\n<meta property=\"og:description\" content=\"Cr\u00edtica de The Second Act, la pel\u00edcula de apertura de Cannes 2024. 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