{"id":56197,"date":"2024-05-26T20:05:56","date_gmt":"2024-05-26T23:05:56","guid":{"rendered":"https:\/\/news.filmelier.com\/anora-cannes-2024-palma-de-ouro\/"},"modified":"2025-08-12T17:21:58","modified_gmt":"2025-08-12T20:21:58","slug":"anora-cannes-2024-palma-de-oro","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/anora-cannes-2024-palma-de-oro\/","title":{"rendered":"&#8216;Anora&#8217;, ganadora de la Palma de Oro en Cannes: un retrato humano y casi perfecto de una stripper"},"content":{"rendered":"\r\n<p>Quienes viven al margen del sue\u00f1o americano &#8211; frecuentemente trabajadoras sexuales &#8211; son los protagonistas de las pel\u00edculas de <a href=\"https:\/\/www.filmelier.com\/br\/director\/sean-baker\" rel=\"noreferrer noopener\">Sean Baker<\/a>, ganador de la Palma de Oro en el <a href=\"https:\/\/www.filmelier.com\/br\/festival\/cannes\" rel=\"noreferrer noopener\">Festival de Cannes<\/a> este a\u00f1o con <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/25596\/anora\"><em><strong>Anora<\/strong><\/em><\/a>.<\/p>\r\n<p><iframe title=\"ANORA \u2013 Press conference \u2013 English \u2013 Cannes 2024\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/6rnP2EGPPRA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\r\n<ul>\r\n<li><strong><strong>Lee tambi\u00e9n: <\/strong><\/strong><strong><a href=\"https:\/\/news.filmelier.com\/br\/critica-filme-conclave\/\">Cr\u00edtica &#8211; <em>Conclave<\/em> es una pel\u00edcula que critica mientras entretiene<\/a><\/strong><\/li>\r\n<\/ul>\r\n<p>En <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/4848\/tangerine\"><em>Tangerine<\/em><\/a> (2015), una trabajadora sexual trans (Kitana Kiki Rodriguez) recorre Los \u00c1ngeles tras el proxeneta que la traicion\u00f3. En <em><a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/18965\/proyecto-florida\" rel=\"noreferrer noopener\">The Florida Project<\/a><\/em> (2017), que le vali\u00f3 a Willem Dafoe una nominaci\u00f3n al Oscar como actor de reparto, una joven madre y su hija de 6 a\u00f1os (Bria Vinaite y Brooklynn Prince) viven en un motel junto a Disney. Ambas ofrecen la experiencia de acompa\u00f1ar a estos personajes, sin enfocarse demasiado en la trama.<\/p>\r\n<h2><em data-start=\"363\" data-end=\"370\">Anora<\/em>: Sean Baker apuesta por narrativa cl\u00e1sica en su nueva pel\u00edcula<\/h2>\r\n<p><em>Anora<\/em> depende mucho m\u00e1s de una historia estructurada y, solo por eso, ya es m\u00e1s convencional que las obras m\u00e1s conocidas del cineasta estadounidense. Hay rasgos de comentario social, pues Anora (la excelente Mikey Madison, de la serie <em>Better Things<\/em>) es una trabajadora sexual, espec\u00edficamente una stripper, que vive en una casa modesta en Nueva York.<\/p>\r\n\r\n\r\n\r\n<p>Cuando se involucra con el heredero de un oligarca ruso (Mark Eydelshteyn), su vida da un giro de 180 grados. Anora conoce un mundo al que nunca hab\u00eda tenido acceso y obviamente queda encantada. Por suerte, Iv\u00e1n tambi\u00e9n es divertido, cari\u00f1oso, aunque algo irresponsable.<\/p>\r\n<figure id=\"attachment_44493\" aria-describedby=\"caption-attachment-44493\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-44493\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/anora.jpg\" alt=\"Anora sigue la relaci\u00f3n entre una stripper y el heredero de un oligarca ruso.\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/anora.jpg 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/anora-300x169.jpg 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/anora-768x432.jpg 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/anora-150x84.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-44493\" class=\"wp-caption-text\"><em>Anora sigue la relaci\u00f3n entre una stripper y el heredero de un oligarca ruso. (Cr\u00e9ditos: Festival de Cannes \/ NEON)<\/em><\/figcaption><\/figure>\r\n<ul>\r\n<li><strong>Lee m\u00e1s: <a href=\"https:\/\/news.filmelier.com\/br\/critica-oeste-outra-vez-e-lupa-na-masculinidade-fragil-de-um-pais\/\">Cr\u00edtica &#8211; <em>Oh, Canada<\/em> examina la masculinidad fr\u00e1gil de un pa\u00eds<\/a><\/strong><\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p>Su relaci\u00f3n progresa r\u00e1pidamente y se casan. Los padres de Iv\u00e1n entran en escena, enviando primero a sus matones Toros (Karren Karagulian), Garnick (Vache Tovmasyan) e Igor (Yura Borisov, de <em>Vag\u00f3n N\u00ba6<\/em>) para anular el matrimonio.<\/p>\r\n\r\n\r\n\r\n<p>Pero los tres no son muy competentes ni contaban con la resistencia de Ani, como prefiere que la llamen. El primer enfrentamiento resulta en una escena hilarante.<\/p>\r\n\r\n\r\n\r\n<p>A lo largo del conflicto, queda claro que el bienestar de Anora no se toma en cuenta. Es vista como nadie, por ser pobre, mujer, stripper, y por lo tanto, no tiene sentimientos ni derechos.<\/p>\r\n\r\n\r\n\r\n<h2 class=\"wp-block-heading\"><em>Anora<\/em> es la pel\u00edcula m\u00e1s accesible de Sean Baker<\/h2>\r\n\r\n\r\n\r\n<p>Sean Baker tiene una habilidad \u00fanica para mostrar estos personajes marginados sin condescendencia ni juicios, simplemente como seres humanos. <em>Anora<\/em> es una pel\u00edcula pr\u00e1cticamente perfecta, con personajes con los que quieres pasar tiempo, actuaciones fant\u00e1sticas, especialmente de Mikey Madison y Yura Borisov, y un gui\u00f3n con el tono preciso. El director sabe lo que hace.<\/p>\r\n\r\n\r\n\r\n<p><em>Anora<\/em> tiene todo para agradar al p\u00fablico &#8211; las proyecciones en Cannes fueron todo un evento. Es una comedia deliciosa de ver y, por eso, la cinta m\u00e1s digerible del director. Que haya ganado la Palma de Oro con esta pel\u00edcula es sorprendente.<\/p>\r\n\r\n\r\n\r\n<h3 class=\"wp-block-heading\">Consulta nuestra cobertura completa del Festival de Cannes 2024:<\/h3>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/the-seed-of-the-sacred-fig-cannes\" target=\"_blank\" rel=\"noreferrer noopener\"><em>The Seed of the Sacred Fig<\/em>: Pel\u00edcula de cineasta iran\u00ed condenado a prisi\u00f3n arrasa en Cannes 2024 y se vuelve favorita<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/motel-destino-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Motel Destino<\/em> juega con el noir, pero funciona mejor como exploraci\u00f3n sensorial<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/baby-ricardo-teodoro-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Baby<\/em>: Ricardo Teodoro gana premio a Mejor Actor Revelaci\u00f3n en Cannes<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/emilia-perez-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Emilia P\u00e9rez<\/em> es el primer favorito del Festival de Cannes<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/tipos-de-gentileza-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Yorgos Lanthimos regresa al cinismo con <em>Tipos de Bondad<\/em><\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/coppola-megalopolis-cannes\" target=\"_blank\" rel=\"noreferrer noopener\">Coppola sobre EU: &#8220;Nuestra democracia se parece a Roma cuando perdi\u00f3 su Rep\u00fablica&#8221;<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/critica-wild-diamond-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Cr\u00edtica de <em>Wild Diamond<\/em>: adolescente usa belleza como arma en pel\u00edcula de Cannes 2024<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/critica-the-second-act-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Pel\u00edcula inaugural de Cannes, <em>The Second Act<\/em> intenta hacer gracia con IA y cultura de la cancelaci\u00f3n<\/a><\/strong><\/li>\r\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/greta-gerwig-metoo-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Greta Gerwig en Cannes: &#8220;He visto cambios sustanciales con el #MeToo&#8221;<\/a><\/strong><\/li>\r\n<\/ul>\r\n","protected":false},"excerpt":{"rendered":"<p>El filme premiado en Cannes 2024 se convierte en la obra m\u00e1s comercial del director Sean Baker<\/p>\n","protected":false},"author":28,"featured_media":56198,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5933,5931],"tags":[],"class_list":["post-56197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critica-mx","category-peliculas-mx"],"acf":{"subtitulo":"El filme premiado en Cannes 2024 se convierte en la obra m\u00e1s comercial del director Sean Baker","id_ator":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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