{"id":56130,"date":"2025-05-18T14:33:32","date_gmt":"2025-05-18T17:33:32","guid":{"rendered":"https:\/\/news.filmelier.com\/eddington-sirat-cannes-2025\/"},"modified":"2025-08-12T13:29:27","modified_gmt":"2025-08-12T16:29:27","slug":"eddington-sirat-cannes-2025","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/eddington-sirat-cannes-2025\/","title":{"rendered":"&#8216;Eddington&#8217; y &#8216;Sir\u00e2t&#8217; muestran mundos en colapso con ayuda del g\u00e9nero (Cannes 2025)"},"content":{"rendered":"<p>A primera vista, la coproducci\u00f3n Espa\u00f1a-Francia <a href=\"https:\/\/www.filmelier.com\/br\/filmes\/110901\/sirat\" target=\"_blank\" rel=\"noopener\"><em>Sir\u00e2t<\/em><\/a>, dirigida por Oliver Laxe, y la cinta estadounidense <a href=\"https:\/\/www.filmelier.com\/br\/filmes\/110895\/eddington\" target=\"_blank\" rel=\"noopener\"><em>Eddington<\/em><\/a>, de Ari Aster, ambas exhibidas en competencia en el 78\u00b0 <a href=\"https:\/\/www.filmelier.com\/br\/festival\/festival-de-cannes\" target=\"_blank\" rel=\"noopener\">Festival de Cannes<\/a>, no tienen mucho en com\u00fan.<\/p>\n<p>En <em>Sir\u00e2t<\/em>, Luis (Sergi L\u00f3pez) y su hijo Esteban (Br\u00fano Nu\u00f1ez) salen de Espa\u00f1a hacia un rave en Marruecos para buscar a la hija del primero y hermana del segundo, de quien sospechan est\u00e1 ah\u00ed. En su b\u00fasqueda, se unen a un diverso grupo de ravers formado por Stef (Stefania Gadda), Josh (Joshua Liam Henderson), Tonin (Tonin Janvier), Jade (Jade Oukid) y Bigui (Richard Bellamy) \u2013 todos interpretando versiones de s\u00ed mismos. Viajan en camiones hacia Mauritania tras otro rave secreto.<\/p>\n<p>En <em>Eddington<\/em>, el alcalde Ted Garcia (<a href=\"https:\/\/www.filmelier.com\/br\/list\/filmes-de-pedro-pascal-para-assistir-online\" target=\"_blank\" rel=\"noopener\">Pedro Pascal<\/a>) y el sheriff Joe Cross (<a href=\"https:\/\/www.filmelier.com\/br\/list\/filmes-com-joaquin-phoenix-para-ver-online\" target=\"_blank\" rel=\"noopener\">Joaquin Phoenix<\/a>) entran en conflicto en el pueblo hom\u00f3nimo de Nuevo M\u00e9xico al inicio de la pandemia en 2020. Lo que comienza como una pelea por el uso de cubrebocas \u2013 Ted a favor, Joe en contra \u2013 termina sumergiendo el lugar en una espiral de teor\u00edas conspirativas, <em>fake news<\/em> y violencia. <a href=\"https:\/\/www.filmelier.com\/br\/list\/emma-stone-seus-melhores-filmes\" target=\"_blank\" rel=\"noopener\">Emma Stone<\/a> interpreta a Louise, esposa de Joe quien en su adolescencia tuvo un hijo con Ted. Austin Butler hace de un enigm\u00e1tico y carism\u00e1tico sujeto que interfiere en el matrimonio de Joe y Louise.<\/p>\n<ul>\n<li><strong>Checa tambi\u00e9n: <a href=\"https:\/\/www.filmelier.com\/br\/list\/vencedores-da-palma-de-ouro-de-cannes\" target=\"_blank\" rel=\"noopener\">Pel\u00edculas ganadoras de la Palma de Oro en Cannes\u00a0<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"Eddington | Official Trailer HD | A24\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/oL6jZqExlIk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Curiosamente, ambos largometrajes tienen puntos en com\u00fan que solo se hacen evidentes en su segunda mitad \u2013 y que no conviene detallar para no arruinar la sorpresa. Tanto <em>Sir\u00e2t<\/em> como <em>Eddington<\/em> comienzan de cierta manera y, en determinado punto, se sumergen en una mezcla de g\u00e9neros.<\/p>\n<h2><em>Sir\u00e2t<\/em> se adentra en el desencanto y el mundo metaf\u00edsico<\/h2>\n<p><em>Sir\u00e2t<\/em> parece realista, pero se transforma en una aventura dist\u00f3pica con aires de <a href=\"https:\/\/www.filmelier.com\/br\/list\/mad-max-onde-assistir-online-a-saga-completa\" target=\"_blank\" rel=\"noopener\"><em>Mad Max<\/em><\/a>, sin perder el humor. Los ravers salen de Europa para bailar hasta el amanecer en un pa\u00eds africano. Cuando estalla la guerra y militares llegan a evacuar europeos, los personajes logran escapar, y Luis y Esteb\u00e1n van con ellos. Pronto, sin embargo, se ven en una especie de purgatorio. En el Islam, Sir\u00e2t es el puente angosto al para\u00edso. Este camino pedregoso tiene giros sorprendentes \u2013 muchas escenas dejar\u00e1n al espectador sin creer lo que ve.<\/p>\n<p>Aunque la pel\u00edcula mantiene la tensi\u00f3n y explora el visual del desierto, parece ser la \u00fanica preocupaci\u00f3n de Laxe. &#8220;Es una aventura f\u00edsica pero tambi\u00e9n metaf\u00edsica. La dimensi\u00f3n simb\u00f3lica es importante. Confiamos en el cine y las im\u00e1genes, con m\u00faltiples significados&#8221;, dijo el director en la conferencia de prensa.<\/p>\n<p>La exploraci\u00f3n tem\u00e1tica parece menos interesante que muchas lecturas posibles, como el duelo, o c\u00f3mo ciertas tragedias eliminan diferencias entre privilegiados y desfavorecidos, o que todos podemos ser refugiados. En la conferencia, Laxe dijo: &#8220;Llorar, gritar, pero no dejar de bailar, aunque sea el fin del mundo&#8221;. Que estos son tiempos dif\u00edciles, de desencanto, pero tambi\u00e9n estimulantes. &#8220;Necesitamos mirar hacia dentro&#8221;, dijo Laxe.<\/p>\n<p><iframe title=\"Sir\u00e2t | Trailer | Oliver Laxe | Sergi L\u00f3pez | Bruno Nu\u00f1ez\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/_HvwhOY63Ig?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<h2><em>Eddington<\/em> aborda la fragmentaci\u00f3n de Estados Unidos<\/h2>\n<p>Una de las dimensiones m\u00e1s interesantes de <em>Sir\u00e2t<\/em> es la familia que se forma en el desierto entre los ravers y el d\u00fao de padre e hijo. Es lo opuesto a <em>Eddington<\/em>, donde vecinos se vuelven contra vecinos, alimentados por <em>fake news<\/em> y teor\u00edas conspirativas. &#8220;La pel\u00edcula trata sobre personas viviendo en realidades distintas. Cada personaje tiene su idea de lo que es EU&#8221;, dijo <a href=\"https:\/\/www.filmelier.com\/br\/director\/ari-aster\" target=\"_blank\" rel=\"noopener\">Ari Aster<\/a> en la conferencia.<\/p>\n<p>En otros tiempos, <em>Eddington<\/em> parecer\u00eda distop\u00eda, pero hasta sus momentos m\u00e1s absurdos parecen posibles \u2013 escenas similares tienen el efecto opuesto en <em>Sir\u00e2t<\/em>. Aster escribi\u00f3 el guion &#8220;en un estado de miedo y ansiedad por el mundo. Quer\u00eda mostrar c\u00f3mo es vivir donde nadie concuerda en qu\u00e9 es real&#8221;.<\/p>\n<p>Aster es h\u00e1bil transmitiendo el caos y terror exacerbados por la pandemia, tras a\u00f1os de <em>fake news<\/em> y teor\u00edas conspirativas que ayudaron a elegir a Donald Trump y que se vuelven m\u00e1s aterradoras con su regreso al poder.<\/p>\n<div class=\"mceTemp\"><\/div>\n<figure id=\"attachment_44922\" aria-describedby=\"caption-attachment-44922\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-44922 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/cannes-2025-eddington.webp\" alt=\"Eddington, de Ari Aster\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/cannes-2025-eddington.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/cannes-2025-eddington-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/cannes-2025-eddington-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/cannes-2025-eddington-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-44922\" class=\"wp-caption-text\"><em>Joaquin Phoenix y Pedro Pascal en Eddington (Cr\u00e9ditos: A24 \/ Festival de Cannes)<\/em><\/figcaption><\/figure>\n<p>Preguntado sobre la situaci\u00f3n de los latinos en EU, criminalizados y deportados sin motivo, Pedro Pascal primero dijo que le daba miedo que un actor hablara sin estar bien informado. Luego a\u00f1adi\u00f3: &#8220;Quiero que la gente est\u00e9 segura. Yo soy inmigrante, mis padres refugiados de Chile, yo mismo un refugiado. Huimos de una dictadura, tuve el privilegio de crecer en EU tras asilo en Dinamarca. Apoyo estas protecciones&#8221;.<\/p>\n<p>Aster pierde oportunidades de profundizar en conflictos y personajes, por lo que la primera parte se arrastra hasta que estalla el caos. Tambi\u00e9n yerra al equiparar la violencia de algunos hombres con protestas leg\u00edtimas contra racismo y polic\u00eda tras George Floyd. Su intento de western contempor\u00e1neo funciona en acci\u00f3n, pero carece de la profundidad de los buenos filmes de este g\u00e9nero intr\u00ednsecamente estadounidense.<\/p>\n<h3 data-start=\"5014\" data-end=\"5081\">Sigue nuestra cobertura completa de <a href=\"https:\/\/news.filmelier.com\/mx\/category\/cannes-mx\/\" target=\"_blank\" rel=\"noopener\">Filmelier en Cannes 2025<\/a>:<\/h3>\n<ul>\n<li><strong><a href=\"https:\/\/news.filmelier.com\/br\/cannes-2025-selecao-principal-analise\/\" target=\"_blank\" rel=\"noopener\">Cannes 2025 decepciona con solo una pel\u00edcula latinoamericana en competencia<\/a><\/strong><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/br\/critica-partir-un-jour-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica: <em>Partir un Jour<\/em>, cinta inaugural de Cannes, intenta subvertir clich\u00e9s sin escapar de lo banal<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/br\/critica-sound-of-falling-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica: El complejo <em>Sound of Falling<\/em> de Mascha Schilinski abre la competencia<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/br\/critica-death-does-not-exist-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica: <em>Death Does Not Exist<\/em>, un trance crom\u00e1tico de activismo ambiental<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/br\/critica-a-useful-ghost-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica de <em>A Useful Ghost<\/em>: \u00bfLos humanos sue\u00f1an con fantasmas electrodom\u00e9sticos? (Cannes 2025)<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/br\/brasil-em-cannes-2025-cinema-cearense-na-quinzena-dos-realizadores\/\"><strong>Brasil en Cannes 2025: cine del noreste brilla en Quincena de Realizadores<\/strong><\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&#8216;Eddington&#8217; y &#8216;Sir\u00e2t&#8217;, cintas exhibidas en Cannes 2025, abordan la ruptura del tejido social y la formaci\u00f3n de nuevos lazos humanos en contextos dist\u00f3picos.<\/p>\n","protected":false},"author":28,"featured_media":56132,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5932,5931],"tags":[5948,5949,8371,8471,6137,6191,6496,8490],"class_list":["post-56130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cannes-mx","category-peliculas-mx","tag-cannes","tag-cannes-2025","tag-cannes-festival-mx","tag-eddington","tag-emma-stone","tag-joaquin-phoenix","tag-pedro-pascal","tag-sirat-br-mx"],"acf":{"subtitulo":"Estas producciones seleccionadas en Cannes 2025 examinan c\u00f3mo las sociedades se fracturan y reconstruyen a trav\u00e9s de inesperadas conexiones humanas.","id_ator":"nm1297015, nm0050959, nm0001618, nm0530365"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;Eddington&#039; 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