{"id":51520,"date":"2025-05-17T09:00:29","date_gmt":"2025-05-17T12:00:29","guid":{"rendered":"https:\/\/news.filmelier.com\/?p=51520"},"modified":"2025-06-11T17:42:53","modified_gmt":"2025-06-11T20:42:53","slug":"critica-a-useful-ghost-cannes-2025","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/mx\/critica-a-useful-ghost-cannes-2025\/","title":{"rendered":"Cr\u00edtica de &#8216;A Useful Ghost&#8217;: \u00bfsue\u00f1an los humanos con fantasmas electrodom\u00e9sticos? (Cannes 2025)"},"content":{"rendered":"<p>En papel, una comedia de fantasmas que poseen aspiradoras y otros electrodom\u00e9sticos, podr\u00eda sonar como la v\u00eda menos id\u00f3nea para reflexionar sobre temas como la represi\u00f3n y la memoria hist\u00f3rica. Pero eso es exactamente lo que es <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/112324\/a-useful-ghost\" target=\"_blank\" rel=\"noopener\"><b><i>A Useful Ghost<\/i><\/b><\/a> (Tailandia, Singapur, Francia, 2025), pel\u00edcula presentada en la Semana de la Cr\u00edtica del <a href=\"https:\/\/www.filmelier.com\/mx\/festival\/festival-cannes\" target=\"_blank\" rel=\"noopener\">Festival de Cannes<\/a> 2025.<\/p>\n<ul>\n<li><strong>Lee m\u00e1s: <a href=\"https:\/\/www.filmelier.com\/mx\/list\/festival-de-cannes-peliculas-ganadoras-de-la-palma-de-oro\" target=\"_blank\" rel=\"noopener\">Pel\u00edculas ganadoras de la Palma de Oro del Festival de Cannes<\/a><\/strong><\/li>\n<\/ul>\n<p><iframe title=\"Trailer - PEE CHAI DAI KA (A Useful Ghost) dir. Ratchapoom Boonbunchachoke (EN)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/XcOnOWQ6PVg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>Y contra los pron\u00f3sticos del sentido com\u00fan, el director tailand\u00e9s Ratchapoom Boonbunchachoke hace funcionar el complicado balance entre comedia sobrenatural y comentario social de su largometraje debut. En parte, lo consigue por medio de un sentido del humor ir\u00f3nico, \u00e1cido, obtenido por medio de actuaciones inexpresivas y encuadres cuyas composiciones y distancia exaltan el absurdo de ciertas situaciones. Algo no muy lejano al cine de <a href=\"https:\/\/www.filmelier.com\/mx\/director\/wes-anderson\" target=\"_blank\" rel=\"noopener\">Wes Anderson<\/a>.<\/p>\n<p>Otra similitud con el cineasta estadounidense es la utilizaci\u00f3n del dispositivo narrativo de historias dentro de historias. As\u00ed como <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/6124\/el-gran-hotel-budapest\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">El Gran Hotel Budapest<\/span><\/i><\/a> (<i><span style=\"font-weight: 400;\">The Grand Budapest Hotel<\/span><\/i>, Estados Unidos y Alemania, 2014) comienza en un cementerio con el busto de un escritor y procede a contar la historia en que se basa su libro m\u00e1s emblem\u00e1tico, <i><span style=\"font-weight: 400;\">A Useful Ghost<\/span><\/i> comienza con otro tipo de homenaje al pasado y a los muertos. Vemos a modelos posar como obreros, agricultores, soldados y maestros para una escultura que ha de servir de memorial en una plaza p\u00fablica.<\/p>\n<p>Pero para cuando comienza nuestra historia, el memorial ha sido demolido, junto con la plaza entera, para dar lugar a la construcci\u00f3n de un centro comercial. La contaminaci\u00f3n de polvo est\u00e1 provocando enfermedades respiratorias y muertes entre la poblaci\u00f3n, as\u00ed como un alza en la compra de aspiradoras. Un joven homosexual (Wisarut Homhuan) \u2013un sector a\u00fan profundamente discriminado en la sociedad tailandesa\u2013 adquiere una que parece \u201ctoser\u201d el polvo de vuelta.<\/p>\n<p>El t\u00e9cnico de reparaci\u00f3n (Wanlop Rungkumjad) le explica que, probablemente, su aspiradora est\u00e1 embrujada, cosa com\u00fan en los electrodom\u00e9sticos del fabricante. \u00c9l explica que la f\u00e1brica, de una empresa familiar, ha sufrido varias tragedias: primero, la muerte del due\u00f1o por enfermedad respiratoria. Nat (Davika Hoorne), esposa de uno de los hijos, March (Wisarut Himmarat), tambi\u00e9n ha sufrido el mismo destino. Ambos, sin embargo, se reh\u00fasan a irse del plano terrenal. El due\u00f1o, por resentimiento, se apodera de la maquinaria y embruja la f\u00e1brica. Ella, por amor a su esposo, posee una aspiradora para mantenerse a su lado.<\/p>\n<p>Las tres subtramas de <i><span style=\"font-weight: 400;\">A Useful Ghost<\/span><\/i> habr\u00e1n de desarrollarse de manera entrelazada, revelando, poco a poco, intrigas entre los personajes y un subtexto social m\u00e1s potente. Para tales efectos, en el mundo de la pel\u00edcula, los fantasmas son aceptados como una realidad cotidiana con una naturalidad \u00e1cida. Por supuesto que esa aspiradora viene a ver a su esposo.<\/p>\n<figure id=\"attachment_51523\" aria-describedby=\"caption-attachment-51523\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-51523 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-cannes-2025.webp\" alt=\"A Useful Ghost, Grand Prix de la Semana de la cr\u00edtica en Cannes\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-cannes-2025.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-cannes-2025-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-cannes-2025-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-cannes-2025-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-51523\" class=\"wp-caption-text\">Los electrodom\u00e9sticos embrujados son una cosa totalmente normal (Cr\u00e9ditos: JHR Films \/ Festival de Cannes)<\/figcaption><\/figure>\n<h2 data-start=\"2918\" data-end=\"3237\"><em>A Useful Ghost<\/em>, ganadora del Grand Prix en la Semana de la cr\u00edtica de Cannes, reflexiona sobre la memoria hist\u00f3rica desde lo sobrenatural<\/h2>\n<p>Estos curiosos fantasmas funcionan como un s\u00edmbolo doble. Por un lado, su cualidad de productos electrodom\u00e9sticos pose\u00eddos les da una faceta utilitaria, instrumental, que ser\u00e1 llevada hacia territorios m\u00e1s turbios y siniestros por fuerzas ajenas (\u00bfqu\u00e9 es un \u201cfantasma \u00fatil\u201d, como dice el t\u00edtulo? \u00bfCu\u00e1l es la implicaci\u00f3n de \u201c\u00fatil\u201d?).<\/p>\n<p>En una de las subtramas, uno de los personajes fantasmag\u00f3ricos termina obligado a seguir \u201csiendo \u00fatil\u201d, es decir, servir a otros intereses incluso despu\u00e9s de la muerte. Un tema recurrente en otros cineastas asi\u00e1ticos, ah\u00ed est\u00e1n como ejemplo <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/73885\/la-sociedad-de-los-talentos-muertos\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">La sociedad de los talentos muertos<\/span><\/i><\/a> (Taiw\u00e1n, 2024), o tambi\u00e9n <a href=\"https:\/\/www.filmelier.com\/mx\/peliculas\/25503\/mickey-17\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Mickey 17<\/span><\/i> <\/a>(EUA, Corea del Sur, 2025), del surcoreano <a href=\"https:\/\/www.filmelier.com\/mx\/list\/peliculas-de-bong-joon-ho-ver-online\" target=\"_blank\" rel=\"noopener\">Bong Joon-ho<\/a>. Sea por v\u00edas sobrenaturales o por la tecnolog\u00eda, parecemos condenados a producir siempre para otros.<\/p>\n<p>El contrapunto est\u00e1 en la segunda faceta de los fantasmas: son tambi\u00e9n un s\u00edmbolo de la memoria hist\u00f3rica, testigos de acontecimientos pasados que s\u00f3lo pueden persistir en el mundo porque los recordamos.<\/p>\n<figure id=\"attachment_51526\" aria-describedby=\"caption-attachment-51526\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-51526 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-critica.webp\" alt=\"A Useful Ghost, Grand Prix de la Semana de la cr\u00edtica en Cannes\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-critica.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-critica-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-critica-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/a-useful-ghost-critica-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-51526\" class=\"wp-caption-text\">Nat debe ser recordada por su marido para no desaparecer (Cr\u00e9ditos: JHR Films \/ Festival de Cannes)<\/figcaption><\/figure>\n<p>Para la lectura de <i><span style=\"font-weight: 400;\">A Useful Ghost<\/span><\/i>, ayuda comprender un poco sobre la historia de Tailandia, marcada por golpes de Estado y violentas represiones militares. Las m\u00e1s notables: la masacre en la <a href=\"https:\/\/time.com\/4519367\/thailand-bangkok-october-6-1976-thammasat-massacre-students-joshua-wong\/\"><span style=\"font-weight: 400;\">Universidad Thammasat en 1976<\/span><\/a>, el <a href=\"https:\/\/www.bangkokpost.com\/opinion\/opinion\/2311654\/remembering-bloody-may-1992\"><span style=\"font-weight: 400;\">\u201cMayo sangriento\u201d de 1992<\/span><\/a> o, m\u00e1s recientemente, la represi\u00f3n militar de manifestantes contra la dictadura <a href=\"https:\/\/www.reuters.com\/article\/world\/thailand-marks-10-years-since-deadly-army-crackdown-idUSKBN22U2I3\/\"><span style=\"font-weight: 400;\">en 2010<\/span><\/a>.<\/p>\n<p>Si bien son acontecimientos espec\u00edficos del pa\u00eds asi\u00e1tico, lo cierto es que el espectador de cualquier pa\u00eds que haya vivido eventos similares podr\u00e1 identificar (e identificarse con) lo que la pel\u00edcula de Boonbunchachoke est\u00e1 queriendo decir, mejor enunciado con rabia por uno de sus personajes: \u201clos fantasmas no ceden ante la muerte\u201d. Hay que recordar a los fantasmas, pero tambi\u00e9n mantener vivos los memoriales, los espacios p\u00fablicos y el amor, para no volver a caer en las trampas del odio, la represi\u00f3n, la explotaci\u00f3n y el inter\u00e9s privado.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Esta pel\u00edcula de la Semana de la cr\u00edtica de Cannes 2025, reflexiona con humor y fantasmas sobre la lucha por mantener viva la memoria hist\u00f3rica.<\/p>\n","protected":false},"author":20,"featured_media":51529,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5932,5933,5931],"tags":[5948,5949,5945,5947,5946],"class_list":["post-51520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cannes-mx","category-critica-mx","category-peliculas-mx","tag-cannes","tag-cannes-2025","tag-cine-tailandes","tag-critica","tag-semana-de-la-critica"],"acf":{"subtitulo":"Esta pel\u00edcula de la Semana de la cr\u00edtica de Cannes 2025, reflexiona con humor y fantasmas sobre la lucha por mantener viva la memoria hist\u00f3rica.","id_ator":"nm5310508, nm17207706, nm12664318"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cr\u00edtica de \u2018A Useful Ghost\u2019 (Cannes 2025) - Filmelier<\/title>\n<meta name=\"description\" content=\"\u2018A Useful Ghost\u2019, de la Semana de la cr\u00edtica de Cannes 2025, reflexiona con humor y fantasmas sobre mantener viva la memoria hist\u00f3rica.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.filmelier.com\/mx\/critica-a-useful-ghost-cannes-2025\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cr\u00edtica de \u2018A Useful Ghost\u2019 (Cannes 2025) - Filmelier\" \/>\n<meta property=\"og:description\" content=\"\u2018A Useful Ghost\u2019, de la Semana de la cr\u00edtica de Cannes 2025, reflexiona con humor y fantasmas sobre mantener viva la memoria hist\u00f3rica.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/news.filmelier.com\/mx\/critica-a-useful-ghost-cannes-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"News Filmelier\" \/>\n<meta property=\"article:published_time\" content=\"2025-05-17T12:00:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-11T20:42:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/homolog.news.filmelier.com\/wp-content\/uploads\/2025\/06\/critica-a-useful-ghost-cannes-2025.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"560\" \/>\n\t<meta property=\"og:image:height\" content=\"280\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Lalo Ortega\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Lalo Ortega\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-a-useful-ghost-cannes-2025\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/news.filmelier.com\/mx\/critica-a-useful-ghost-cannes-2025\/\"},\"author\":{\"name\":\"Lalo Ortega\",\"@id\":\"https:\/\/homolog.news.filmelier.com\/mx\/#\/schema\/person\/bc393b46ea1d056e9889f90b246255ee\"},\"headline\":\"Cr\u00edtica de &#8216;A Useful Ghost&#8217;: \u00bfsue\u00f1an los humanos con fantasmas electrodom\u00e9sticos? 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