‘The Artifice Girl’ film review: does AI dream of electric humans?
Franklin Ritch debut feature, ‘The Artifice Girl’, is loaded with dialogue that reflects on the nature of reality and the ethics of AI.
Lalo Ortega
Reviews
‘The Roses’ film review: Olivia Colman and Benedict Cumberbatch shine as a marriage in crisis
Although it becomes a one-joke movie, ‘The Roses’ shines because of Olivia Colman and Benedict Cumberbatch’s comedic genius.
Lalo Ortega
Review: In ‘Caught Stealing’, Darren Aronofsky tries to distance himself from his reputation as a weirdo
Film ‘Caught Stealing’ feels more like a novice filmmaker’s attempt to imitate the mannerisms and ideas of the Coen brothers and Guy Ritchie
Matheus Mans
‘Nobody 2’ Film Review: More of the Same, But Funnier
‘Nobody 2’ is an entertaining but derivative sequel that condemns another franchise to self-parody.
Lalo Ortega
‘Vermiglio’ film review: A silent opression
Awarded at the Venice Film Festival, ‘Vermiglio’ patiently constructs a realistic portrait of gender dynamics in the post-war era.
Lalo Ortega
‘The Life of Chuck’ film review: between hope and existential dread
Adapted by Mike Flanagan from Stephen King’s novella, ‘The Life of Chuck’ walks a fine line between cosmic horror and feel-good movie.
Lalo Ortega
‘Eddington’ film review: Ari Aster’s satire of the obvious
In ‘Eddington’, Ari Aster abandons horror to direct his satirical gaze—somewhat obviously—at America’s pandemic chaos through this anti-western allegory.
Lalo Ortega
Review: ‘The Bad Guys 2’ is a fun and visually spectacular adventure
Packed with color and a story that doesn’t underestimate its audience, ‘The Bad Guys 2’ is sure to impress both adults and kids
Matheus Mans
Review: In ‘Weapons’, Zach Cregger delivers the most inventive film of the year
Julia Garner, Josh Brolin and Alden Ehrenreich shine in ‘Weapons’, a bizarre horror film with touches of comedy
Matheus Mans
