Feature film The Conjuring: Last Rites, marking the farewell of Ed and Lorraine Warren on the big screen, fails to go beyond the obvious
‘Splitsville’ explores the complexities of love, desire, marriage and the real possibilities of polyamory succeeding.
Franklin Ritch debut feature, ‘The Artifice Girl’, is loaded with dialogue that reflects on the nature of reality and the ethics of AI.
Although it becomes a one-joke movie, ‘The Roses’ shines because of Olivia Colman and Benedict Cumberbatch’s comedic genius.
Film ‘Caught Stealing’ feels more like a novice filmmaker’s attempt to imitate the mannerisms and ideas of the Coen brothers and Guy Ritchie
‘Nobody 2’ is an entertaining but derivative sequel that condemns another franchise to self-parody.
Awarded at the Venice Film Festival, ‘Vermiglio’ patiently constructs a realistic portrait of gender dynamics in the post-war era.
Adapted by Mike Flanagan from Stephen King’s novella, ‘The Life of Chuck’ walks a fine line between cosmic horror and feel-good movie.
In ‘Eddington’, Ari Aster abandons horror to direct his satirical gaze—somewhat obviously—at America’s pandemic chaos through this anti-western allegory.
