‘The Roses’ film review: Olivia Colman and Benedict Cumberbatch shine as a marriage in crisis
Although it becomes a one-joke movie, ‘The Roses’ shines because of Olivia Colman and Benedict Cumberbatch’s comedic genius.
Lalo Ortega
Reviews
Review: In ‘Caught Stealing’, Darren Aronofsky tries to distance himself from his reputation as a weirdo
Film ‘Caught Stealing’ feels more like a novice filmmaker’s attempt to imitate the mannerisms and ideas of the Coen brothers and Guy Ritchie
Matheus Mans
‘Nobody 2’ Film Review: More of the Same, But Funnier
‘Nobody 2’ is an entertaining but derivative sequel that condemns another franchise to self-parody.
Lalo Ortega
‘Vermiglio’ film review: A silent opression
Awarded at the Venice Film Festival, ‘Vermiglio’ patiently constructs a realistic portrait of gender dynamics in the post-war era.
Lalo Ortega
‘The Life of Chuck’ film review: between hope and existential dread
Adapted by Mike Flanagan from Stephen King’s novella, ‘The Life of Chuck’ walks a fine line between cosmic horror and feel-good movie.
Lalo Ortega
‘Eddington’ film review: Ari Aster’s satire of the obvious
In ‘Eddington’, Ari Aster abandons horror to direct his satirical gaze—somewhat obviously—at America’s pandemic chaos through this anti-western allegory.
Lalo Ortega
Review: ‘The Bad Guys 2’ is a fun and visually spectacular adventure
Packed with color and a story that doesn’t underestimate its audience, ‘The Bad Guys 2’ is sure to impress both adults and kids
Matheus Mans
Review: In ‘Weapons’, Zach Cregger delivers the most inventive film of the year
Julia Garner, Josh Brolin and Alden Ehrenreich shine in ‘Weapons’, a bizarre horror film with touches of comedy
Matheus Mans
Review: ‘Freakier Friday’ Delivers Laughs with Nostalgia and Recycled Ideas
Jamie Lee Curtis and Lindsay Lohan share strong on-screen chemistry, even in a ‘Freakier Friday’ story short on fresh ideas
Matheus Mans
