{"id":52471,"date":"2025-06-13T09:29:12","date_gmt":"2025-06-13T12:29:12","guid":{"rendered":"https:\/\/news.filmelier.com\/?p=52471"},"modified":"2025-06-13T09:29:12","modified_gmt":"2025-06-13T12:29:12","slug":"critica-june-e-john-luc-besson","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/br\/critica-june-e-john-luc-besson\/","title":{"rendered":"Cr\u00edtica: \u2018June e John\u2019 \u00e9 filme ultrapassado e esquisito de Luc Besson"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">John (Luke Stanton Eddy) \u00e9 um rapaz sem perspectivas na vida. O trabalho \u00e9 uma droga, a vida \u00e9 solit\u00e1ria, tudo d\u00e1 errado. O clima come\u00e7a a pesar at\u00e9 que, num dia terr\u00edvel, ele encontra uma jovem no metr\u00f4 &#8212; \u00e9 June (Matilda Price), pessoa que parece ter um brilho pr\u00f3prio. A partir da\u00ed, o filme <\/span><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/112362\/june-e-john\"><b><i>June e John<\/i><\/b><\/a><span style=\"font-weight: 400;\"> vira uma esp\u00e9cie de romance imposs\u00edvel: os dois se apaixonam, mas o tempo corre contra o rel\u00f3gio, como se tudo fosse desaparecer.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">O motivo? June acredita, por conta de um pesadelo, que o fim de sua vida est\u00e1 pr\u00f3ximo. A partir da\u00ed, quer viver tudo no limite, com o m\u00e1ximo de emo\u00e7\u00e3o &#8212; e com John ao seu lado.\u00a0<\/span><\/p>\n<p><iframe title=\"JUNE E JOHN | Trailer Oficial Legendado\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/U-Bfsbs5XKo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Esta \u00e9 a trama comandada pelo cineasta <\/span><a href=\"https:\/\/www.filmelier.com\/br\/director\/luc-besson\"><span style=\"font-weight: 400;\">Luc Besson<\/span><\/a><span style=\"font-weight: 400;\"> e que estreia nos cinemas brasileiros na quinta-feira, 12. \u00c9 o segundo trabalho do franc\u00eas em dois anos: ano passado foi o \u00f3timo <\/span><i><span style=\"font-weight: 400;\">Dogman<\/span><\/i><span style=\"font-weight: 400;\">, surpresa que agradou aos cr\u00edticos e ao p\u00fablico por seu tom debochado.<\/span><\/p>\n<h2><i>June e John<\/i>: mistura de tudo e de nada<\/h2>\n<p><span style=\"font-weight: 400;\">O mesmo, por\u00e9m, n\u00e3o pode ser dito sobre <\/span><i><span style=\"font-weight: 400;\">June e John<\/span><\/i><span style=\"font-weight: 400;\">, talvez o trabalho mais indiferente e estranho (no mau sentido) da carreira do cineasta. Ele, que j\u00e1 comandou obras como <\/span><i><span style=\"font-weight: 400;\">O Profissional<\/span><\/i><span style=\"font-weight: 400;\"> e <\/span><i><span style=\"font-weight: 400;\">O Quinto Elemento<\/span><\/i><span style=\"font-weight: 400;\">, tenta colocar sua est\u00e9tica e suas ideias em uma esp\u00e9cie de romance que busca se aproximar do cinema de a\u00e7\u00e3o pelo caos das escolhas do casal. \u00c9 at\u00e9 dif\u00edcil de explicar. Talvez seja um <\/span><i><span style=\"font-weight: 400;\">Bonnie &amp; Clyde<\/span><\/i><span style=\"font-weight: 400;\"> moderno, um <\/span><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/1083\/thelma-louise\"><i><span style=\"font-weight: 400;\">Thelma &amp; Louise<\/span><\/i><\/a><span style=\"font-weight: 400;\"> neon, um <\/span><i><span style=\"font-weight: 400;\">Doce Novembro<\/span><\/i><span style=\"font-weight: 400;\"> reinterpretado, uma vers\u00e3o mais rom\u00e2ntica de <\/span><i><span style=\"font-weight: 400;\">Corra, Lola, Corra<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mas sem o brilho de nenhum desses, \u00e9 claro.<\/span><\/p>\n<figure id=\"attachment_52465\" aria-describedby=\"caption-attachment-52465\" style=\"width: 989px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\" wp-image-52465\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/june-e-john-2-300x169.webp\" alt=\"Clich\u00eas transbordam em novo filme de Luc Besson, 'June e John' (Cr\u00e9dito: Diamond Films)\" width=\"989\" height=\"557\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/june-e-john-2-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/june-e-john-2-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/june-e-john-2-150x84.webp 150w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/june-e-john-2.webp 1024w\" sizes=\"(max-width: 989px) 100vw, 989px\" \/><figcaption id=\"caption-attachment-52465\" class=\"wp-caption-text\"><em>Clich\u00eas transbordam em novo filme de Luc Besson, &#8216;June e John&#8217; (Cr\u00e9dito: Diamond Films)<\/em><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Afinal, <\/span><i><span style=\"font-weight: 400;\">June e John<\/span><\/i><span style=\"font-weight: 400;\"> patina, justamente, na busca por um significado para sua exist\u00eancia. Tudo ali \u00e9 batido e \u00f3bvio. \u00c9 como se Besson estivesse tentando ir al\u00e9m desses filmes j\u00e1 citados, mas n\u00e3o consegue trazer uma novidade sequer. Esse tipo de hist\u00f3ria j\u00e1 foi contada in\u00fameras vezes. O p\u00fablico j\u00e1 sabe o come\u00e7o e o final. At\u00e9 mesmo a est\u00e9tica \u00e9 morna: com os cabelos coloridos de June, lembramos de <\/span><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/14281\/brilho-eterno-de-uma-mente-sem-lembrancas\"><i><span style=\"font-weight: 400;\">Brilho Eterno de uma Mente sem Lembran\u00e7as<\/span><\/i><\/a><span style=\"font-weight: 400;\">; com a personalidade dela, de <\/span><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/2079\/500-dias-com-ela\"><span style=\"font-weight: 400;\">(<\/span><i><span style=\"font-weight: 400;\">500) Dias com Ela<\/span><\/i><\/a><span style=\"font-weight: 400;\">; e por a\u00ed vai. Nada \u00e9 realmente original.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Isso causa um sentimento constante de que estamos assistindo a um filme de 2010 e que, mesmo nessa \u00e9poca, j\u00e1 soaria pouco original. Decepcionante para um cineasta que, h\u00e1 pouco mais de um ano, nos entregou uma obra propositadamente cafona e <\/span><i><span style=\"font-weight: 400;\">camp<\/span><\/i><span style=\"font-weight: 400;\">, e ainda assim muito divertida, que foi <\/span><i><span style=\"font-weight: 400;\">Dogman<\/span><\/i><span style=\"font-weight: 400;\">. Uma baita queda de qualidade entre dois filmes.<\/span><\/p>\n<h2>Boa qu\u00edmica<\/h2>\n<p><span style=\"font-weight: 400;\">Mas nem tudo est\u00e1 perdido em <\/span><i><span style=\"font-weight: 400;\">June e John<\/span><\/i><span style=\"font-weight: 400;\">, pelo menos. Besson faz jus por ser conhecido por ser um cineasta que revela ou impulsiona a carreira de bons atores. \u00c9 o caso de Jean Reno com <\/span><i><span style=\"font-weight: 400;\">Imensid\u00e3o Azul ou <\/span><\/i><span style=\"font-weight: 400;\">Natalie Portman em <\/span><i><span style=\"font-weight: 400;\">O Profissional<\/span><\/i><span style=\"font-weight: 400;\"> e por a\u00ed vai. Aqui, acerta ao escalar Matilda Price e Luke Stanton Eddy como protagonistas. Os dois possuem quase nada de cr\u00e9ditos no curr\u00edculo, mas funcionam maravilhosamente bem em cena. D\u00e1 para dizer que s\u00e3o duas revela\u00e7\u00f5es.<\/span><\/p>\n<figure id=\"attachment_52468\" aria-describedby=\"caption-attachment-52468\" style=\"width: 994px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\" wp-image-52468\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/June-e-John-1-300x176.webp\" alt=\"Luke Stanton Eddy e Matilda Price s\u00e3o a boa surpresa de 'June e John' (Cr\u00e9dito: Diamond Films)\" width=\"994\" height=\"583\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/June-e-John-1-300x176.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/June-e-John-1-150x88.webp 150w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/06\/June-e-John-1.webp 534w\" sizes=\"(max-width: 994px) 100vw, 994px\" \/><figcaption id=\"caption-attachment-52468\" class=\"wp-caption-text\"><em>Luke Stanton Eddy e Matilda Price s\u00e3o a boa surpresa de &#8216;June e John&#8217; (Cr\u00e9dito: Diamond Films)<\/em><\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">Besson, afinal, incentivou os dois a conviverem antes das grava\u00e7\u00f5es. Chegaram no filme j\u00e1 com alguma rela\u00e7\u00e3o entre eles. Isso, que n\u00e3o seria poss\u00edvel, de forma alguma, com atores com agendas cheias, impulsiona o romance do filme. O espectador compra aquela ideia de um amor fulminante, de tudo correr contra o rel\u00f3gio &#8212; como \u00e9, afinal, a impress\u00e3o de quando nos apaixonamos. Besson acerta aqui e fica um gosto amargo. \u00c9 com se fosse um caminho muito mais interessante para o filme se fosse mais um romance e menos a\u00e7\u00e3o.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">June e John<\/span><\/i><span style=\"font-weight: 400;\">, assim, \u00e9 um cap\u00edtulo estranho e pouco empolgante na carreira de Besson, esse cineasta de tantos altos e baixos, indo de <\/span><i><span style=\"font-weight: 400;\">O Quinto Elemento<\/span><\/i><span style=\"font-weight: 400;\"> \u00e0 <\/span><i><span style=\"font-weight: 400;\">Valerian<\/span><\/i><span style=\"font-weight: 400;\">, de <\/span><i><span style=\"font-weight: 400;\">Nikita <\/span><\/i><span style=\"font-weight: 400;\">\u00e0 <\/span><i><span style=\"font-weight: 400;\">Anna <\/span><\/i><span style=\"font-weight: 400;\">e por a\u00ed vai. Outros dois filmes dele j\u00e1 est\u00e3o em produ\u00e7\u00e3o. S\u00e3o eles: <\/span><i><span style=\"font-weight: 400;\">Dr\u00e1cula: A Love Tale<\/span><\/i><span style=\"font-weight: 400;\">, reinterpreta\u00e7\u00e3o do vampiro, e <\/span><i><span style=\"font-weight: 400;\">The Last Man<\/span><\/i><span style=\"font-weight: 400;\">, um filme futurista p\u00f3s-apocal\u00edptico. \u00c9 torcer para que Besson esteja em seu melhor. Afinal, quando acerta, dif\u00edcil n\u00e3o se divertir.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ap\u00f3s o divertido \u2018Dogman\u2019, em 2024, cineasta franc\u00eas decepciona com \u2018June e John\u2019, filme que n\u00e3o tem ideia do que quer ser<\/p>\n","protected":false},"author":21,"featured_media":52467,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3481,3482],"tags":[5987,4480,5989,5988,4063],"class_list":["post-52471","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas-br","category-filmes-br","tag-june-e-john","tag-luc-besson-br","tag-luke-stanton-eddy","tag-matilda-price","tag-romance-br"],"acf":{"subtitulo":"Ap\u00f3s o divertido \u2018Dogman\u2019, em 2024, cineasta franc\u00eas decepciona com \u2018June e John\u2019, filme que n\u00e3o tem ideia do que quer ser","id_ator":"7037727"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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