{"id":49812,"date":"2024-05-14T20:08:58","date_gmt":"2024-05-14T23:08:58","guid":{"rendered":"https:\/\/news.filmelier.com\/critica-the-second-act-cannes-2024\/"},"modified":"2025-08-19T14:49:48","modified_gmt":"2025-08-19T17:49:48","slug":"critica-the-second-act-cannes-2024","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/br\/critica-the-second-act-cannes-2024\/","title":{"rendered":"Filme de abertura de Cannes, \u2018The Second Act\u2019 tenta fazer gra\u00e7a com IA e cultura do cancelamento"},"content":{"rendered":"\r\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><\/figure>\r\n<p>Florence (<a href=\"https:\/\/www.filmelier.com\/br\/list\/filmes-com-lea-seydoux-assistir-online\">L\u00e9a Seydoux<\/a>) \u00e9 bela e apaixonada, mas David (Louis Garrel) n\u00e3o quer saber dela e tenta empurr\u00e1-la para seu amigo Willy (Rapha\u00ebl Quenard). Enquanto isso, ela prepara tudo para apresentar seu amado a seu pai, Guillaume (Vincent Lindon). Se a sinopse de <a href=\"https:\/\/www.filmelier.com\/br\/filmes\/25498\/segundo-ato\"><strong>The Second Act<\/strong><\/a> (Le Deuxi\u00e8me Acte) de <a href=\"https:\/\/www.filmelier.com\/br\/director\/quentin-dupieux\">Quentin Dupieux<\/a>, que abriu o <a href=\"https:\/\/www.filmelier.com\/br\/list\/cannes-2024-filmes-do-festival\">77\u00ba Festival de Cannes<\/a> na noite desta ter\u00e7a-feira, 14, fora de competi\u00e7\u00e3o, parece boba, \u00e9 porque \u00e9 mesmo. Propositalmente.<\/p>\r\n&#13;\n<p><iframe title=\"The Second Act \/ Le Deuxi\u00e8me acte (2024) - Trailer (English Subs)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/s8lLhVBMBoc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>&#13;\n<p>Nessa com\u00e9dia, Dupieux, diretor de <em><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/10516\/deerskin-estilo-matador\" target=\"_blank\" rel=\"noreferrer noopener\">Deerskin: Estilo Matador<\/a><\/em> (2020) e <em><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/25021\/yannick\" target=\"_blank\" rel=\"noreferrer noopener\">Yannick<\/a><\/em> (2023), usa a metalinguagem para brincar com os poss\u00edveis efeitos da intelig\u00eancia artificial no cinema, o ego dos atores, os apelos por maior inclus\u00e3o e representatividade e o medo do cancelamento. \u00c9 curioso que seja exibida justamente quando pairam no ar rumores de que novas den\u00fancias de ass\u00e9dio sexual e moral contra atores e cineastas franceses podem vir \u00e0 tona durante o <a href=\"https:\/\/www.filmelier.com\/br\/festival\/festival-de-cannes\">Festival de Cannes<\/a>, j\u00e1 que a Fran\u00e7a passa por um movimento #MeToo tardio.\u00a0<\/p>&#13;\n&#13;\n<ul class=\"wp-block-list\">&#13;\n<li><strong>Leia tamb\u00e9m: <a href=\"https:\/\/www.filmelier.com\/br\/noticias\/greta-gerwig-metoo-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Greta Gerwig em Cannes: \u201cEu vi mudan\u00e7as substanciais com o #MeToo\u201d<\/a><\/strong><\/li>&#13;\n<\/ul>&#13;\n&#13;\n<p>\u00a0<\/p>&#13;\n<figure id=\"attachment_44526\" aria-describedby=\"caption-attachment-44526\" style=\"width: 360px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-44526\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte.webp\" alt=\"Cartaz oficial de The Second Act \" width=\"360\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte.webp 640w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte-240x300.webp 240w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/the-second-act-le-deuxieme-acte-150x188.webp 150w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/><figcaption id=\"caption-attachment-44526\" class=\"wp-caption-text\">Cartaz oficial de The Second Act (Cr\u00e9dito: Arte France Cin\u00e9ma \/ Festival de Cannes)<\/figcaption><\/figure>&#13;\n<figure class=\"wp-block-image size-full is-resized\"><\/figure>&#13;\n&#13;\n<p>Mas em <em>The Second Act<\/em>, Dupieux n\u00e3o est\u00e1 interessado em afirma\u00e7\u00f5es e certezas. Ele quer tentar fazer gra\u00e7a. Apesar de uma ou outra boa sacada e dos atores talentosos que tem em m\u00e3os, o diretor raramente consegue, alongando demais certas piadas.<\/p>&#13;\n&#13;\n<p><em>The Second Act<\/em> \u00e9 a segunda com\u00e9dia francesa sobre um filme dentro do filme a abrir o Festival de Cannes em um espa\u00e7o de tr\u00eas anos. Em 2022, <em><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/19062\/final-cut\" target=\"_blank\" rel=\"noreferrer noopener\">Final Cut<\/a><\/em>, sobre as filmagens de uma produ\u00e7\u00e3o sobre zumbis e dirigido por Michel Hazanavicius (<em><a href=\"https:\/\/www.filmelier.com\/br\/filmes\/1201\/o-artista\" target=\"_blank\" rel=\"noreferrer noopener\">O Artista<\/a><\/em>), inaugurou o evento.<\/p>&#13;\n&#13;\n<p>Talvez seja a hora de variar um pouco.<\/p>&#13;\n&#13;\n<p><em>Por Mariane Morisawa, de Cannes<\/em><\/p>&#13;\n<ul>&#13;\n<li><strong><strong>Leia mais: <a href=\"https:\/\/www.filmelier.com\/br\/list\/filmes-com-lea-seydoux-assistir-online\">Filmes com L\u00e9a Seydoux para assistir online<\/a><\/strong><\/strong><\/li>&#13;\n<\/ul>&#13;\n<h2>Al\u00e9m de <em>The Second Act<\/em>, confira nossa cobertura completa do Festival de Cannes 2024:<\/h2>&#13;\n<p><\/p>&#13;\n<ul class=\"wp-block-list\">&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/motel-destino-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Motel Destino<\/em> brinca com o noir, mas funciona melhor como explora\u00e7\u00e3o sensorial<\/a><\/strong><\/li>&#13;\n<li><a href=\"https:\/\/news.filmelier.com\/the-seed-of-the-sacred-fig-cannes\"><strong><em>The Seed of the Sacred Fig<\/em>: Filme de cineasta iraniano condenado \u00e0 pris\u00e3o arrebata Cannes 2024 e vira favorito<\/strong><\/a><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/baby-ricardo-teodoro-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Baby<\/em>: Ricardo Teodoro vence pr\u00eamio de Melhor Ator Revela\u00e7\u00e3o em Cannes<\/a><\/strong><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/emilia-perez-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Emilia P\u00e9rez<\/em> \u00e9 o primeiro favorito do Festival de Cannes<\/a><\/strong><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/tipos-de-gentileza-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Yorgos Lanthimos volta ao cinismo com <em>Tipos de Gentileza<\/em><\/a><\/strong><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/coppola-megalopolis-cannes\" target=\"_blank\" rel=\"noreferrer noopener\">Coppola sobre EUA: \u201cNossa democracia parece com Roma quando perdeu sua Rep\u00fablica\u201d<\/a><\/strong><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/critica-wild-diamond-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Cr\u00edtica de <em>Wild Diamond<\/em>: adolescente usa beleza como arma em filme de Cannes 2024<\/a><\/strong><\/li>&#13;\n<li><strong><a href=\"https:\/\/www.filmelier.com\/br\/noticias\/greta-gerwig-metoo-cannes-2024\" target=\"_blank\" rel=\"noreferrer noopener\">Greta Gerwig em Cannes: \u201cEu vi mudan\u00e7as substanciais com o #MeToo\u201d<\/a><\/strong><\/li>&#13;\n<\/ul>&#13;\n<p>\u00a0<\/p>&#13;\n<p><a href=\"http:\/\/https:\/\/www.filmelier.com\/br\/play\/25804\/um-amor-para-recordar\"><img decoding=\"async\" class=\"alignnone wp-image-44527 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa.webp\" alt=\"Assista a filmes online gr&#xE1;tis completos agora mesmo com o Play Surpresa do Filmelier\" width=\"1920\" height=\"495\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa.webp 1920w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa-300x77.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa-1024x264.webp 1024w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa-768x198.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa-1536x396.webp 1536w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2024\/05\/play-surpresa-150x39.webp 150w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>&#13;\n","protected":false},"excerpt":{"rendered":"<p>Com L\u00e9a Seydoux, Louis Garrel e Vincent Lindon, o diretor franc\u00eas Quentin Dupieux apresentou &#8216;The Second Act&#8217; em Cannes 2024.<\/p>\n","protected":false},"author":28,"featured_media":49814,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3481,3482],"tags":[],"class_list":["post-49812","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-criticas-br","category-filmes-br"],"acf":{"subtitulo":"Com L\u00e9a Seydoux, Louis Garrel e Vincent Lindon, o diretor franc\u00eas Quentin Dupieux apresentou 'The Second Act' em Cannes 2024.","id_ator":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Filme de abertura de Cannes, The Second Act tenta fazer gra\u00e7a com IA e cultura do cancelamento<\/title>\n<meta name=\"description\" content=\"Com L\u00e9a Seydoux, Louis Garrel e Vincent Lindon, o diretor franc\u00eas Quentin Dupieux apresentou &#039;The Second Act&#039; em Cannes 2024.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/news.filmelier.com\/br\/critica-the-second-act-cannes-2024\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filme de abertura de Cannes, The Second Act tenta fazer gra\u00e7a com IA e cultura do cancelamento\" \/>\n<meta property=\"og:description\" content=\"Com L\u00e9a Seydoux, Louis Garrel e Vincent Lindon, o diretor franc\u00eas Quentin Dupieux apresentou &#039;The Second Act&#039; 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