{"id":49351,"date":"2025-05-20T17:34:37","date_gmt":"2025-05-20T20:34:37","guid":{"rendered":"https:\/\/news.filmelier.com\/critica-peak-everything-cannes-2025\/"},"modified":"2025-06-09T00:10:31","modified_gmt":"2025-06-09T03:10:31","slug":"critica-peak-everything-cannes-2025","status":"publish","type":"post","link":"https:\/\/news.filmelier.com\/br\/critica-peak-everything-cannes-2025\/","title":{"rendered":"Cr\u00edtica de \u2018Peak Everything\u2019: o amor em tempos do fim do mundo (Cannes 2025)"},"content":{"rendered":"<p class=\"\" data-start=\"600\" data-end=\"1039\">\u201cAmor \u00e0 primeira vista\u201d. Ou, em nossos tempos de automa\u00e7\u00e3o e falsifica\u00e7\u00e3o digital absoluta, seria \u201camor ao primeiro sinal de humanidade apesar da media\u00e7\u00e3o tecnol\u00f3gica\u201d. Esta \u00e9, talvez, a mais discreta das calamidades cotidianas que vive Adam (Patrick Hivon), protagonista de <em data-start=\"875\" data-end=\"892\">Peak Everything<\/em> (<em data-start=\"894\" data-end=\"912\">Amour Apocalypse<\/em>, Canad\u00e1, 2025), filme da cineasta canadense Anne \u00c9mond lan\u00e7ado durante a Quinzena dos Realizadores do <a href=\"https:\/\/www.filmelier.com\/br\/festival\/festival-de-cannes\" target=\"_blank\" rel=\"noopener\">Festival de Cannes<\/a> 2025.<\/p>\n<ul>\n<li><strong>Confira tamb\u00e9m:\u00a0<a href=\"https:\/\/www.filmelier.com\/br\/list\/vencedores-da-palma-de-ouro-de-cannes\" target=\"_blank\" rel=\"noopener\">Filmes vencedores da Palma de Ouro de Cannes<\/a><\/strong><\/li>\n<\/ul>\n<figure id=\"attachment_44977\" aria-describedby=\"caption-attachment-44977\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-44977 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/critica-peak-everything-amour-apocalypse-cannes-2025.webp\" alt=\"Cr\u00edtica de \u2018Peak Everything\u2019: o amor em tempos do fim do mundo (Cannes 2025)\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/critica-peak-everything-amour-apocalypse-cannes-2025.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/critica-peak-everything-amour-apocalypse-cannes-2025-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/critica-peak-everything-amour-apocalypse-cannes-2025-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/critica-peak-everything-amour-apocalypse-cannes-2025-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-44977\" class=\"wp-caption-text\">Piper Perabo e Patrick Hivon em cena de <em>Peak Everything<\/em>(Cr\u00e9ditos: Festival de Cannes \/ L&#8217;Attelier Distribution)<\/figcaption><\/figure>\n<p class=\"\" data-start=\"1041\" data-end=\"1311\">Mas de que outras calamidades cotidianas falamos? Em resumo, todas aquelas trazidas pelas mudan\u00e7as clim\u00e1ticas: tempestades torrenciais inesperadas, enchentes, secas e uma avalanche de not\u00edcias catastr\u00f3ficas no celular, r\u00e1dio e TV, 24 horas por dia, sete dias por semana.<\/p>\n<p class=\"\" data-start=\"1313\" data-end=\"1656\">O gentil Adam, dono de uma pens\u00e3o para c\u00e3es, sofre desde ansiedade cr\u00f4nica at\u00e9 depress\u00e3o e ins\u00f4nia, quest\u00f5es que esconde de seu pai emocionalmente distante (Gilles Renaud), enquanto seu terapeuta limita-se a tratar com rem\u00e9dios. No trabalho, sua funcion\u00e1ria Romy (\u00c9lizabeth Mageren) se aproveita de sua docilidade para obter vantagens sexuais.<\/p>\n<p class=\"\" data-start=\"1658\" data-end=\"2109\">O \u00fanico ref\u00fagio e al\u00edvio de Adam \u00e9 uma l\u00e2mpada triangular, supostamente terap\u00eautica para meditar e acalmar a ansiedade. Por\u00e9m, uma liga\u00e7\u00e3o para a empresa fabricante muda tudo, quando ele atende Tina (Piper Perabo), cuja simpatia e calor facilitam um v\u00ednculo imediato. O casal conversa mais vezes por telefone, mas quando uma chamada \u00e9 interrompida por um terremoto, Adam pega o carro para ir procur\u00e1-la. O encontro pessoal trar\u00e1 surpresas inesperadas.<\/p>\n<h2 data-start=\"2111\" data-end=\"2541\"><em>Peak Everything<\/em> \u00e9 uma com\u00e9dia rom\u00e2ntica para o Apocalipse<\/h2>\n<p class=\"\" data-start=\"2111\" data-end=\"2541\">A escolha do t\u00edtulo internacional do filme \u00e9 curiosa: o termo em ingl\u00eas <em data-start=\"2247\" data-end=\"2264\">peak everything<\/em> se refere ao ponto m\u00e1ximo de algo. No contexto das mudan\u00e7as clim\u00e1ticas, significa que tudo est\u00e1 chegando ao ponto sem retorno: as varia\u00e7\u00f5es de temperatura e suas consequ\u00eancias, como o derretimento das calotas polares, ondas de calor, disponibilidade de recursos, secas e fome.<\/p>\n<p class=\"\" data-start=\"2543\" data-end=\"3107\">A <a href=\"https:\/\/www.quinzaine-cineastes.fr\/storage\/medias\/peakeverything-presskit-eng_o_1ir280p5m6n6159619vhacf1og1b.pdf\" target=\"_blank\" rel=\"noopener\">diretora Anne \u00c9mond declarou<\/a> que sua inspira\u00e7\u00e3o veio da pr\u00f3pria experi\u00eancia com <a href=\"https:\/\/www.iberdrola.com\/social-commitment\/what-is-ecoanxiety\" target=\"_blank\" rel=\"noopener\">ecoansiedade ou solastalgia<\/a>, gerada pelo vertiginoso desgaste do meio ambiente e pela sensa\u00e7\u00e3o esmagadora de impot\u00eancia para remedi\u00e1-lo. Para ela, o ato criativo foi uma catarse, mas que mant\u00e9m os p\u00e9s na realidade da Terra, encontrando equil\u00edbrio: \u201cespero que a estrutura e o tom do filme reflitam um certo sentimento de inquieta\u00e7\u00e3o. Em algum ponto entre realidade e fic\u00e7\u00e3o, drama e com\u00e9dia, amor e viol\u00eancia\u201d. Para isso, o t\u00edtulo original, <em data-start=\"3066\" data-end=\"3084\">Amour Apocalypse<\/em>, parece mais adequado.<\/p>\n<p class=\"\" data-start=\"3109\" data-end=\"3556\">O filme tamb\u00e9m lembra outro cl\u00e1ssico onde um protagonista masculino supera m\u00faltiplas condi\u00e7\u00f5es mentais incapacitantes para embarcar numa viagem espont\u00e2nea que o ajudar\u00e1 a se curar. \u00c9 como se <a href=\"https:\/\/www.filmelier.com\/br\/filmes\/3685\/embriagado-de-amor\" target=\"_blank\" rel=\"noopener\"><em data-start=\"3300\" data-end=\"3323\">Embriagado de Amor<\/em><\/a> (<em data-start=\"3325\" data-end=\"3343\">Punch-Drunk Love<\/em>, EUA, 2025), de Paul Thomas Anderson, fosse filtrado pelo apocalipse tang\u00edvel e iminente de <a href=\"https:\/\/www.filmelier.com\/br\/filmes\/80803\/procura-se-um-amigo-para-o-fim-do-mundo\" target=\"_blank\" rel=\"noopener\"><em data-start=\"3436\" data-end=\"3477\">Procura-se um Amigo para o Fim do Mundo<\/em><\/a> (<em data-start=\"3479\" data-end=\"3522\">Seeking a Friend for the End of the World<\/em>, EUA, 2012), de Lorene Scafaria.<\/p>\n<figure id=\"attachment_44978\" aria-describedby=\"caption-attachment-44978\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" class=\"wp-image-44978 size-full\" src=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/peak-everything-amour-apocalypse-cannes-2025.webp\" alt=\"Cena de 'Peak Everything' ('Amour Apocalypse'), com\u00e9dia rom\u00e1ntica da Quinzena dos Realizadores do Festival de Cannes\" width=\"800\" height=\"450\" srcset=\"https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/peak-everything-amour-apocalypse-cannes-2025.webp 800w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/peak-everything-amour-apocalypse-cannes-2025-300x169.webp 300w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/peak-everything-amour-apocalypse-cannes-2025-768x432.webp 768w, https:\/\/news.filmelier.com\/wp-content\/uploads\/2025\/05\/peak-everything-amour-apocalypse-cannes-2025-150x84.webp 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-44978\" class=\"wp-caption-text\"><em>Peak Everything<\/em> aborda no superficial o papel do consumo na cat\u00e1strofe ambiental (Cr\u00e9ditos: Festival de Cannes \/ L&#8217;Attelier Distribution)<\/figcaption><\/figure>\n<p class=\"\" data-start=\"3558\" data-end=\"3891\">Mas <em data-start=\"3562\" data-end=\"3579\">Peak Everything<\/em> apresenta diferen\u00e7as importantes em rela\u00e7\u00e3o a esses dois romances ternos e angustiantes. No filme de <a href=\"https:\/\/www.filmelier.com\/br\/director\/lorene-scafaria\" target=\"_blank\" rel=\"noopener\">Scafaria<\/a>, o fim do mundo n\u00e3o \u00e9 resultado de uma casualidade c\u00f3smica desafortunada e inevit\u00e1vel, mas do androcentrismo consumista que atinge um ponto de inflex\u00e3o. Adam, nos di\u00e1logos, reitera isso constantemente.<\/p>\n<p class=\"\" data-start=\"3893\" data-end=\"4481\">A diretora \u00c9mond tamb\u00e9m deixa pistas visuais e nas a\u00e7\u00f5es dos personagens. Objetos como a l\u00e2mpada triangular, admite Tina, s\u00e3o um golpe. A funcion\u00e1ria Romy v\u00ea seu chefe como objeto de consumo: algu\u00e9m para explorar economicamente ou sexualmente. \u201cNossas hist\u00f3rias triviais de amor, fam\u00edlia, sexo e ci\u00fames continuam tomando o protagonismo\u201d, diz \u00c9mond, apesar do colapso ambiental iminente. Um especismo androcentrista t\u00e3o absurdo quanto ouvir audiolivros de bem-estar para acalmar uma ansiedade incapacitante: respirar fundo e praticar <em>mindfulness<\/em> s\u00e3o t\u00e1ticas bobas quando o mundo desmorona.<\/p>\n<p class=\"\" data-start=\"4483\" data-end=\"4957\">A compara\u00e7\u00e3o com o filme de <a href=\"https:\/\/www.filmelier.com\/br\/director\/paul-thomas-anderson\" target=\"_blank\" rel=\"noopener\">Paul Thomas Anderson<\/a> \u00e9 menos favor\u00e1vel, pois <em data-start=\"4556\" data-end=\"4573\">Peak Everything<\/em> n\u00e3o alcan\u00e7a o mesmo n\u00edvel de refinamento visual (o que, vale dizer, n\u00e3o significa que deva aspirar ao mesmo artif\u00edcio da obra protagonizada por Adam Sandler). \u00c9mond apresenta um mundo mais sujo e ca\u00f3tico, condizente com a realidade que vivemos. Contudo, salvo alguns trechos on\u00edricos na neve, com simbolismo pertinente, o filme pouco prop\u00f5e visualmente, deixando o peso para o drama.<\/p>\n<p class=\"\" data-start=\"4959\" data-end=\"5247\">Ainda assim, em linha parecida com <em data-start=\"4994\" data-end=\"5017\">Embriagado de Amor<\/em>, a produ\u00e7\u00e3o de \u00c9mond prop\u00f5e que, apesar da realidade esmagar cada vez mais nossas psiques, a vida tem valor em si mesma pela possibilidade do amor, que, espera-se, possa nos libertar do ego que nos coloca no centro da exist\u00eancia.<\/p>\n<div class=\"elementor-element elementor-element-61aacef e-con-full e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"61aacef\" data-element_type=\"container\">\n<div id=\"noticia\" class=\"elementor-element elementor-element-a29888c noticia elementor-widget elementor-widget-theme-post-content\" data-id=\"a29888c\" data-element_type=\"widget\" data-widget_type=\"theme-post-content.default\">\n<div class=\"elementor-widget-container\">\n<h2 data-start=\"5014\" data-end=\"5081\">Acompanhe nossa cobertura completa do\u00a0<a href=\"https:\/\/news.filmelier.com\/br\/category\/cannes-br\/\" target=\"_blank\" rel=\"noopener\">Filmelier em Cannes 2025<\/a>:<\/h2>\n<ul>\n<li data-start=\"5014\" data-end=\"5081\"><strong><a href=\"https:\/\/news.filmelier.com\/cannes-2025-selecao-principal-analise\/\" target=\"_blank\" rel=\"noopener\">Cannes 2025 decepciona com apenas um filme latino-americano na competi\u00e7\u00e3o principal<\/a><\/strong><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/brasil-em-cannes-2025-cinema-cearense-na-quinzena-dos-realizadores\/\"><strong>Brasil em Cannes 2025: cinema cearense \u00e9 destaque na Quinzena dos Realizadores<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/critica-partir-un-jour-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica:\u00a0<em>Partir un Jour<\/em>, Filme de abertura de Cannes, tenta subverter clich\u00e9s, mas n\u00e3o consegue escapar da banalidade<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/critica-sound-of-falling-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica: O complexo\u00a0<em>Sound of Falling<\/em>\u00a0de Mascha Schilinski abre a competi\u00e7\u00e3o de Cannes 2025<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/critica-death-does-not-exist-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica:\u00a0<em>Death Does Not Exist<\/em>, um transe crom\u00e1tico de milit\u00e2ncia ambiental<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/critica-a-useful-ghost-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong>Cr\u00edtica de\u00a0<em>A Useful Ghost<\/em>: Humanos sonham com fantasmas eletrodom\u00e9sticos? (Cannes 2025)<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/eddington-sirat-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong><em>Eddington<\/em>\u00a0e\u00a0<em>Sir\u00e2t<\/em>\u00a0mostram mundos em colapso com ajuda do g\u00eanero (Cannes 2025)<\/strong><\/a><\/li>\n<li><a href=\"https:\/\/news.filmelier.com\/o-agente-secreto-filme-cannes-2025\/\" target=\"_blank\" rel=\"noopener\"><strong><em>O Agente Secreto<\/em>, melhor filme de Cannes 2025 at\u00e9 agora, discute mem\u00f3ria e hereditariedade<\/strong><\/a><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<div class=\"elementor-element elementor-element-8f79f3d e-con-full autora e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"8f79f3d\" data-element_type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n<div class=\"elementor-element elementor-element-f4e886e elementor-share-buttons--view-icon elementor-share-buttons--skin-framed elementor-share-buttons--shape-circle elementor-share-buttons--align-center elementor-share-buttons--color-custom elementor-grid-0 elementor-widget elementor-widget-share-buttons\" data-id=\"f4e886e\" data-element_type=\"widget\" data-widget_type=\"share-buttons.default\">\n<div class=\"elementor-widget-container\">\n<div class=\"elementor-grid\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"elementor-element elementor-element-e3c8466 e-con-full elementor-hidden-tablet semana-noticias e-flex wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no e-con e-child\" data-id=\"e3c8466\" data-element_type=\"container\">\n<div class=\"elementor-element elementor-element-ebb1472 wpr-grid-columns-1 wpr-grid-columns--tablet1 wpr-grid-columns--mobile1 wpr-item-styles-inner elementor-widget elementor-widget-wpr-grid\" data-id=\"ebb1472\" data-element_type=\"widget\" data-widget_type=\"wpr-grid.default\">\n<div class=\"elementor-widget-container\">\n<section class=\"wpr-grid elementor-clearfix grid-images-loaded\" data-settings=\"{&quot;layout&quot;:&quot;list&quot;,&quot;stick_last_element_to_bottom&quot;:&quot;no&quot;,&quot;columns_desktop&quot;:&quot;1&quot;,&quot;gutter_hr&quot;:15,&quot;gutter_hr_mobile&quot;:15,&quot;gutter_hr_mobile_extra&quot;:15,&quot;gutter_hr_tablet&quot;:15,&quot;gutter_hr_tablet_extra&quot;:15,&quot;gutter_hr_laptop&quot;:15,&quot;gutter_hr_widescreen&quot;:15,&quot;gutter_vr&quot;:23,&quot;gutter_vr_mobile&quot;:23,&quot;gutter_vr_mobile_extra&quot;:23,&quot;gutter_vr_tablet&quot;:23,&quot;gutter_vr_tablet_extra&quot;:23,&quot;gutter_vr_laptop&quot;:23,&quot;gutter_vr_widescreen&quot;:23,&quot;animation&quot;:&quot;default&quot;,&quot;animation_duration&quot;:0.3,&quot;animation_delay&quot;:0.1,&quot;deeplinking&quot;:&quot;&quot;,&quot;filters_linkable&quot;:&quot;no&quot;,&quot;filters_default_filter&quot;:&quot;&quot;,&quot;filters_count&quot;:&quot;&quot;,&quot;filters_hide_empty&quot;:&quot;no&quot;,&quot;filters_animation&quot;:&quot;default&quot;,&quot;filters_animation_duration&quot;:0.3,&quot;filters_animation_delay&quot;:0.1,&quot;pagination_type&quot;:&quot;load-more&quot;,&quot;pagination_max_pages&quot;:28,&quot;media_align&quot;:&quot;left&quot;,&quot;media_width&quot;:35,&quot;media_distance&quot;:10,&quot;lightbox&quot;:{&quot;selector&quot;:&quot;.wpr-grid-image-wrap&quot;,&quot;iframeMaxWidth&quot;:&quot;60%&quot;,&quot;hash&quot;:false,&quot;autoplay&quot;:&quot;true&quot;,&quot;pause&quot;:5000,&quot;progressBar&quot;:&quot;true&quot;,&quot;counter&quot;:&quot;true&quot;,&quot;controls&quot;:&quot;true&quot;,&quot;getCaptionFromTitleOrAlt&quot;:&quot;true&quot;,&quot;thumbnail&quot;:&quot;&quot;,&quot;showThumbByDefault&quot;:&quot;&quot;,&quot;share&quot;:&quot;&quot;,&quot;zoom&quot;:&quot;true&quot;,&quot;fullScreen&quot;:&quot;true&quot;,&quot;download&quot;:&quot;true&quot;}}\">\n<article class=\"wpr-grid-item elementor-clearfix post-44914 post type-post status-publish format-standard has-post-thumbnail hentry category-criticas category-filmes tag-christopher-mcquarrie tag-missao-impossivel-3 tag-missao-impossivel tag-missao-impossivel-o-acerto-final tag-tom-cruise\">\n<div class=\"wpr-grid-item-inner\">\n<div class=\"wpr-grid-item-below-content elementor-clearfix\"><\/div>\n<\/div>\n<\/article>\n<\/section>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>O filme da diretora Anne \u00c9mond, exibido na Quinzena dos Realizadores de Cannes 2025, trata das ansiedades ecol\u00f3gicas contempor\u00e2neas.<\/p>\n","protected":false},"author":20,"featured_media":49352,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[3558,3482],"tags":[3652,3612,3559,3653,3561],"class_list":["post-49351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cannes-br","category-filmes-br","tag-apocalipse-br","tag-cannes-br","tag-cannes-2025-br","tag-comedia-romantica-br","tag-festival-cannes-br"],"acf":{"subtitulo":"O filme da diretora Anne \u00c9mond, exibido na Quinzena dos Realizadores de Cannes 2025, trata das ansiedades ecol\u00f3gicas contempor\u00e2neas.","id_ator":"nm0005305, nm0387012"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Cr\u00edtica de \u2018Peak Everything\u2019 (Cannes 2025) - Filmelier<\/title>\n<meta name=\"description\" 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